Latest Stories
Most recently published stories in Critique.
Portishead: Dummy
If melancholy had a sound, it would resemble the mournful soundscapes of Portishead's Dummy. Accompanied by lush orchestral arrangements and unsettling theremin drones, Beth Gibbons' voice, switching between hushed whispers and agonizing banshee wails, penetrates you like a knife.
By Chad Verzosa2 years ago in Critique
Marty Robbins, Country singer
American singer, songwriter, multi-instrumentalist, NASCAR driver, and early outlaw country music pioneer. Marty sings of miracles, love, jealousy, loss, of Big Irons, Strawberry Roans, hoping not to be Forgetten, and dying in "El Paso".
By Novel Allen2 years ago in Critique
The Invisible Life of Addie LaRue
The raw power of longing sweeps you into this story. A cursed love triangle, and a dauntless heroine keep you there. It's a gorgeous take on the old caution to be careful what you wish for, as rich as Addie’s favourite black coffee. An enchanted midnight whisper of a novel.
By Lauren Everdell2 years ago in Critique
Where The Crawdads Sing
Where The Crawdads Sing poetically weaves abandonment and isolation into a swampland setting. Perhaps even more lyrical are the things inferred yet unsaid and the subtle trail of hints of unseen events. Even still, the concept of Man's justice as opposed to the laws of nature is the most epic.
By Marilyn Glover2 years ago in Critique
A Critique Of The Film π
π is the greatest Jewish horror/science fiction film about maths that you will probably ever see. It features Max who programs his computer to pick stock options and meets a friend who equates his calculations with the Torah. So after many traumas, Max finds peace sitting on a park bench.
By Mike Singleton 💜 Mikeydred 2 years ago in Critique
The Witcher's Bane
Forget the confusing timelines. Or the huge changes from Andrzej Sapkowski's books. That Henry Cavill, who is the best thing about The Witcher, will no longer play Geralt of Rivia in the Netflix hit fantasy series' fourth and fifth season is the final nail in the coffin for disgruntled viewers.
By Marguerita Tan2 years ago in Critique









