A Gorgeous Creature In The Making
This Is My Heart
1) "Part Of Your World" by Jodi Benson (from "The Little Mermaid")
2) Beauty And The Beast" by Celine Dion & Peabo Bryson (from "Beauty And The Beast")
3) "A Whole New World" by Peabo Bryson & Regina Belle (from Aladdin")
4) "Circle Of Life" by Elton John (from "The Lion King")
5) "Can You Feel The Love Tonight" from "The Lion King"
6) "I Don't Wanna Cry" by Mariah Carey
7) "Love Takes Time" by Mariah Carey
8) "(Everything I Do) I Do It For You" by Bryan Adams
9) "Because You Loved Me" by Celine Dion
10) "Angel of Mine" by Monica
11) "For You I Will" by Monica
12) "Mi Corazonado" by Ricky Martin
13) "Let's Get Loud" by Jennifer Lopez
14) "I Could Fall In Love" by Selena
15) "Como La Flor" by Selena
16) "Bidi Bidi Bom Bom" by Selena
17) "No Me Ames" by Jennifer Lopez
18) "Breathing" by Lifehouse
19) "I Don't Want To Miss A Thing" by Aerosmith
20) "My Immortal" by Evanescence
21) "Broken" by Seether & Amy Lee
22) "I'll Be" by Edwin McCain
23) "There You'll Be" by Faith Hill
24) "Till I Collapse" by Eminem
25) "One Last Breath" by Creed
26) "Let's Get Married" by Jagged Edge
27) "If I Ain't Got You" by Alicia Keys
28) "When You Believe" by Mariah Carey & Whitney Houston
29) "If I Should Fall Behind" by Faith Hill
30) "I See You" by Leona Lewis
31) "Possessionless" by Delta Goodrem
32) "Happy" by Leona Lewis
33) "Something's Got A Hold On Me" by Christina Aguilera (from "Burlesque")
34) "Halo" by Beyonce
35) "Easier To Be" by Lifehouse
36) "I Mind" by Usher
37) "No Mediocre" by T.I.
38) "Haven't Met You Yet" by Michael Buble
39) "Catch My Breath" by Kelly Clarkson
40) "Love On Top" by Beyonce
41) "Lose Yourself" by Eminem/Serianna/Kelly Clarkson/ Andra Day
42) "When I Grow Up" by The Pussycat Dolls
43) "Buttons" by The Pussycat Dolls
44) "Rap God" by Eminem
45) "Right Here Waiting" by Richard Marx
46) "Stick Wit U" by Nicole Scherzinger
47) "Rockstar" by Nickelback
48) "Skyscraper" by Demi Lovato
49) "Who Says" by Selena Gomez
50) "Storm" by Lifehouse
51) "Rise" by Katy Perry/State of Mine/Boyce Avenue
52) "Fight Song" by Rachel Platten
53) "Rise Up" by Andra Day
54) "Here To Stay" by Christina Aguilera
55) "Lightweight" by Demi Lovato
56) "In The Name Of" by Bebe Rexha
57) "Angels In The Room" by Delta Goodrem
58) "From This Moment On" by Shania Twain
59) "Flashlight" by Jessie J
60) "One Call Away" by Charlie Puth
61) "If Everyone Cared" by Nickelback
62) "Kerosene" by Miranda Lambert
63) "Pieces" by Rob Thomas
64) "Big Bad Wolf" by In This Moment
65) "To Be Human" by Sia (from "Wonder Woman")
66) "Cease Fire" by Christina Aguilera
67) "I Got You" by Leona Lewis
68) "Collide" by Howie Day
69) "Make A Wave" by Demi Lovato & Joe Jonas
70) "Lady In Red" by Chris DeBurgh
71) "You Can't Stop Me" by Andy Mineo
72) "I'll Find You" by Lecrae & Tori Kelly
73) "Beautiful" by Mariah Carey
74) "Whatever It Takes" by Imagine Dragons
75) "Listen To Your Heart" by Roxette
76) "Tequila" by Dan & Shay
77) "Hungry Eyes" by Eric Carmen
78) "Every Little Thing" by Carly Pearce
79) "Tell Me How Long" by Kristen Bell (from "Chasing Coral")
80) "In This Together" by Ellie Goulding & Steven Price (from "Our Planet")
81) "Changes" by 2Pac
82) "Feel The Light" by Jennifer Lopez (from "Home")
82) "Everything" by Lifehouse
83) "Head Above Water" by Avril Lavigne
84) "I Want To Know What Love Is" by Mariah Carey
85) "Higher Love" by Kygo & Whitney Houston
86) "Don't Rush" by K-Ci & JoJo
87)" I Believe In You And Me" by Whitney Houston
88) "Step By Step" by Whitney Houston
89) "Move You" by Kelly Clarkson
90) Up and coming... Camilla Love S.W.A.K.
*** To my readers/listeners, sorry there isn't more of a story to tell in this piece. Also, I ran out of time for links. But it meant something to me to write it! I got back parts of my heart and soul doing this challenge.
~ Camilla Love S.W.A.K.
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Tears on the Witness Stand: When Prince Harry’s Case Became a Performance
In a courtroom designed for evidence, not emotion, Prince Harry delivered something closer to a monologue than a testimony. What was meant to be a decisive moment in his legal battle against a major British newspaper publisher instead unfolded as a study in contradiction, frustration, and theatrical vulnerability—leaving legal observers questioning whether the Duke of Sussex strengthened his case or quietly undermined it. At the heart of the lawsuit lies a serious allegation: that elements of the British press engaged in illegal information-gathering practices, including phone hacking, deception, and the use of private investigators. Harry has positioned himself as both plaintiff and symbol, a man standing not just for personal justice but for the principle that public figures deserve privacy. Yet under cross-examination, the clarity of that mission blurred. Throughout the day, the Duke presented himself as a lifelong victim of relentless media intrusion, someone whose private life had been treated as open territory for commercial exploitation. “I fundamentally reject the idea that my life is public property,” he insisted, framing his case as a moral stand against an industry he believes thrives on intrusion disguised as public interest. But the defense methodically chipped away at this narrative. The most damaging moment came with the discussion of a pseudonymous Facebook account—“Mr. Mischief”—used in 2016 to contact a journalist. Initially, Harry denied any involvement. Then he suggested the account might have been created by someone else. Finally, he conceded that he may have used the alias himself. The shifting explanations were stark, and in a courtroom, inconsistency is costly. What this moment revealed was not merely a lapse in memory, but a deeper tension in Harry’s argument. He portrays himself as a passive target of media manipulation, yet evidence suggested a willingness—at least at times—to engage with the press on his own terms. The image of a prince entirely besieged by journalists gave way to something more complicated: a man simultaneously resentful of media attention and capable of seeking it out. As the questioning continued, Harry’s demeanor fluctuated dramatically. At moments, he was defiant, even argumentative, challenging assumptions and lecturing the court on the failures of British journalism. At others, he appeared fragile, visibly strained by the weight of past experiences. He spoke at length, and with striking emotion, about former relationships, particularly the distress faced by an ex-girlfriend under intense media scrutiny. His recollections were vivid, detailed, and deeply personal. By contrast, references to his wife were brief and procedural—until the very end. In what became the defining moment of the day, Harry’s composure finally broke. Speaking of the impact of press coverage on his wife, his voice faltered. He paused, reached for water, and struggled to continue. Tears followed. It was raw, unrestrained, and undeniably human. Yet in the context of a legal proceeding, the moment raised uncomfortable questions. Why had the most detailed emotional testimony been reserved for past relationships, while his wife’s suffering emerged only as a climactic declaration? Why did this emotional crescendo arrive after hours of damaging contradictions? To legal analysts, the breakdown risked appearing less like spontaneous grief and more like a strategic pivot—from facts to feeling. The defense seized on this perception. They argued that Harry has built a lucrative second career on publicly narrating his pain through memoirs, documentaries, and interviews. In their framing, this lawsuit is not a rejection of exposure, but another iteration of it. The courtroom, they suggested, had become yet another stage. This paradox sits at the core of Harry’s struggle. He condemns the commercialization of his private life while simultaneously profiting from its disclosure. He seeks privacy through the most public mechanisms available. His tears, however genuine, exist in the same economy of attention as the stories he denounces. None of this negates the possibility that press misconduct occurred. The case will ultimately turn on evidence, statutes, and legal precedent—not emotion. But in the court of public opinion, optics matter. And the image Harry left behind was fractured: a man torn between righteous anger and unresolved grief, between moral crusader and media participant, between authority and vulnerability. As he stepped down from the witness stand, visibly drained, the question lingered. Did Prince Harry expose a corrupt system—or did he expose the limits of his own narrative? In seeking to condemn the press for turning his life into spectacle, he may have proven just how difficult it is to escape a role once the spotlight is on. The law will decide the case. But the performance has already left its mark.
By Behind the Curtain3 days ago in Beat
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