Sean Patrick
Bio
Hello, my name is Sean Patrick He/Him, and I am a film critic and podcast host for the I Hate Critics Movie Review Podcast I am a voting member of the Critics Choice Association, the group behind the annual Critics Choice Awards.
Stories (1969)
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Movie Review: 'American Assassin'
American Assassin stars Dylan O’Brien as Mitch Rapp, a normal college age kid who we meet while he is vacationing in Ibiza with his beautiful girlfriend. Just after she has accepted his marriage proposal, terrorists sweep over the beach, killing dozens of people in an all too plausible scenario that calls to mind the Paris nightclub attack. Among the dead is Mitch’s new fiancée while he is wounded in the leg and shoulder but narrowly survives.
By Sean Patrick8 years ago in Geeks
Movie Review: 'Lipstick Under My Burkha'
“You know what our problem is? We dream too much?” That quote is devastating. It comes from the movie Lipstick Under My Burkha from writer director Alankrita Shrivastava. It’s a remarkable film about four wonderful characters staring into the face of oppression and still trying to live their dreams. Lipstick is only Shrivastava’s second directorial feature and yet she directs with the surety and beauty of a veteran filmmaker. Her eye and ear are perfectly in tune to her characters, who each have big beautiful beating hearts.
By Sean Patrick8 years ago in Geeks
Classic Movie Review: 'Mauvais Sang'
Mauvais Sang or Bad Blood, the English title, stars Dennis Levant as Alex, a small time criminal about to break into the criminal big time. After the death of his father, Alex is sought by his father’s former associates, Marc (Michel Piccoli) and Hans (Hans Meyer) to be part of a heist that will require his quick hands. The heist involves stealing the cultures of a dangerous virus that is ravaging France, a plague that affects those who make love without being in love.
By Sean Patrick8 years ago in Geeks
Classic Movie Review: 'Rosemary's Baby'
Rosemary’s Baby is one of the most sneakily ingenious psycho-dramas ever made. Director Roman Polanski, a quite correctly demonized figure today, was a masterful director in his day. In Rosemary’s Baby, arguably his finest film, Polanski uses film technique and his unique sensibilities to take seemingly normal and mundane things and use our perceptions of those things against us. The most obvious and blatant of these mundane things is using the elderly as the film’s villains, especially the grandmotherly Ruth Gordon.
By Sean Patrick8 years ago in Geeks
Music Review: 'Jump' by Cythia Erivo
It’s awards season in Hollywood and with that I am being inundated with potential nominees across the spectrum. As a member of the Broadcast Film Critics Association and the Broadcast Television Journalists Association, I have a lot of things to wade through this year and that includes nominees in our original music categories. Today, I received a copy of an original single from the recently released documentary Step. The song is called "Jump" and it was written and produced by music legend Raphael Saddiq and co-written by Taura Stinson and Laura Karpman and sung by Cynthia Erivo.
By Sean Patrick8 years ago in Beat
Movie Review: 'Mother!'
I can’t decide if Mother(!) is Darren Aronofsky’s way of pleasuring himself on screen or if it is a legitimate work of art simply out of the grasp of my pea brain. The film has some seemingly obvious metaphors but they are metaphors that are so blatant that your brain fights the idea that they could be so simple to untangle. At least we can all agree that Mother(!) is a pretentious as all get out work of an egotist artist who’s either far too oblique for his own good or a complete troll.
By Sean Patrick8 years ago in Geeks
Classic Movie Review: 'Fatal Attraction'
Fatal Attraction stars Michael Douglas as a seemingly happy husband to Ann Archer and father to an adorable 6-year-old daughter. So why, if he’s so happy, does he decide to cheat on his wife? This questions comes to consume the mind of Alex (Glenn Close), the woman Douglas’ Dan decides to sleep with one night while his wife and daughter are away visiting family in the suburbs. Alex can’t understand why Dan would choose to sleep with her and then retreat back to his marriage.
By Sean Patrick8 years ago in Geeks
Movie Review: 'The Wilde Wedding'
The Wilde Wedding has the chance to be a pretty great movie but lacks the courage to pull it off. The film brings together the talents of Glenn Close, John Malkovich and Patrick Stewart for a wedding comedy and the charm factor would be off the charts except that writer-director Damian Harris can’t resist mucking up the works by having the younger cast too often crowd out the more interesting veterans.
By Sean Patrick8 years ago in Geeks
Classic Movie Review: 'The Pick-Up Artist'
The Pick Up Artist is a bizarrely bad movie of the kind only James Toback seems capable of. This mess of a romantic comedy and a gangster movie attempts to be both conventional and unconventional. Toback’s thing has always been arthouse style talky existentialism with a healthy dose of New York. Watching him try to cram that unusual sensibility into a mainstream movie would be unwatchable were it not for Robert Downey Jr. and Molly Ringwald who, at the very least, remain likable even as they struggle against a director lost in his attempt to serve the commercial and the arty.
By Sean Patrick8 years ago in Geeks
Classic Movie Review: 'Requiem for a Dream'
With Darren Aronofsky's latest film Mother starring Jennifer Lawrence arriving in theaters across the country this week, now is the perfect time to look back on the best of Aronofsky's career thus far. You can hear more about Mother and the style of Darren Aronofsky on the next "Everyone Is a Critic Movie Review Podcast" available on iTunes every Monday Morning.
By Sean Patrick8 years ago in Geeks
Movie Review: 'Home Again'
Home Again is a vacuous and inane movie that is otherwise an inoffensive and forgettable romantic comedy about characters who have no problems. It’s the kind of vacuousness that you would think even Hollywood would be tired of by now and yet there still seems to be an appetite for it. I think it’s called lifestyle porn, wherein the poor watch movies like Home Again and fantasize about the architecture and accoutrements without a care for whether or not the characters’ lives are worth enduring.
By Sean Patrick8 years ago in Geeks
Making the Case for 'Get Out' at the Academy Awards
Every year there is a movie that audiences and critics take to in a big way and that the Academy dismisses for whatever reason. Movies like Gone Girl, The Dark Knight, or 10 Cloverfield Lane that audiences and critics seem to believe in concert are among the best movies of their given year get ignored by the Academy for being too much of a genre piece, too much of an audience favorite or some other similar nonsense.
By Sean Patrick8 years ago in Geeks
