Robert M Massimi. ( Broadway Bob).
Bio
I have been writing on theater since 1982. A graduate from Manhattan College B.S. A member of Alpha Sigma Lambda, which recognizes excellence in both English and Science. I have produced 14 shows on and off Broadway. I've seen over700 shows
Stories (310)
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Angry Alan
"Angry Alan" at the Studio Seaview (formerly Tony Keiser Theatre), is a very interesting, modern take on society today. When Roger, (John Krasinski) becomes enthralled with a podcast show host named Angry Alan, he speaks to the audience in a very Homer Gentry, somewhat modern folksy way. He is a man who deals with life's ups and downs in an almost tongue and cheek manner.
By Robert M Massimi. ( Broadway Bob).7 months ago in Art
Dead Outlaw
"Dead Outlaw" at Longacre Theatre is a different kind of musical. The band is the center issue here; the stage is at the front and center and the band leader (Jeb Brown) also narrates the performance. The Longacre is made into a country music stage. On a turnstile set (Arnulfo Maldonado) the band is positioned at various points during the show.
By Robert M Massimi. ( Broadway Bob).9 months ago in Beat
Floyd Collins.
The early buzz about "Floyd Collins" at The Beaumont, Lincoln Center was luke warm at best. The musical, however, has gained tremendous steam over the last few weeks and it should! With incredible sets, costumes, singing and dancing, "Floyd Collins" is a must see!
By Robert M Massimi. ( Broadway Bob).9 months ago in Beat
Real Woman Have Curves
"Real Woman Have Curves" at The James Earl Jones Theatre has lots and lots of thrills. Set in Boule Heights, East Los Angeles; factory workers seam dresses sometimes twelve hours a day to support their families. Even though you would classify this company as a sweet shop, the ladies get on famously. In the first act this musical can do no wrong... the dancing, singing, choreography flows, and so do the jokes!
By Robert M Massimi. ( Broadway Bob).9 months ago in Beat
The Great War and The Great Gatsby.
"The Great War/The Great Gatsby" was an unusual but interesting body of work at the legendary Carnegie Hall. Narrated by John Monsky and backed by an orchestra as well as actors/singers, this two hour show ran the gambit of video, song and narration.
By Robert M Massimi. ( Broadway Bob).9 months ago in Critique
Last Call
The problem with "Last Call" is not so much the writing, as it is in the plays direction (Gil Mehmart). The slow pace of this show makes for a long ninety minutes at New World Stages. Based on two great conductors and song writers, the play starts out fine but spirals quickly. What could have been a more enlightening play by Peter Danish, turned into dialogue that just wasn't interesting after awhile.
By Robert M Massimi. ( Broadway Bob).9 months ago in Confessions
Come From Away
"Come From Away" is a feel good story about what simple people can do when called upon to do big things. There is no better place to see a show like this than The Morristown Performing Arts Center. Comfortable as well as elegant, The Performing Arts Center has been putting on great travel theater as well as concerts for years!
By Robert M Massimi. ( Broadway Bob).10 months ago in Critique
Have You Met Jane Goodall And Her Mother?
"Have You Met Jane Goodall and Her Mother?" at EST is an interesting play in that it breaks the norms of traditional theater. The actors are constantly telling the audience what's on their mind; never shy about being campy either.
By Robert M Massimi. ( Broadway Bob).10 months ago in Art
The Jonathan Larson Project.
"The Johnathan Larson Project" just maybe the best off Broadway musical this year! The show clicks on all cylinders with fantastic singing, dancing and staging. The show covers the years and songs that Mr. Larson wrote. His life was cut short at 35 years old by an aortic aneurysm; he died one day before "Rent" opened on Broadway.
By Robert M Massimi. ( Broadway Bob).10 months ago in Beat
Ghosts
Ibsen's "Ghosts" at the Newhouse Theater at Lincoln Center is a modern piece with very good acting. The direction by Jack O'Brien is at a slow pace for most of the one hour and forty five minutes. Although this show should have had an intermission, the play for the most part locks in tightly.
By Robert M Massimi. ( Broadway Bob).10 months ago in Art
