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Hollywall Entertainment (HWAL): A Seasoned Leader and a Valuable Music Legacy

In the world of growth companies, especially in the music industry, Hollywall Entertainment, Inc. (HWAL) presents a unique opportunity that hinges on both its assets and its leadership.

By CEOBLOCPublished about a year ago 3 min read

In the world of growth companies, especially in the music industry, Hollywall Entertainment, Inc. (HWAL) presents a unique opportunity that hinges on both its assets and its leadership.

Leading HWAL, the public stock symbol for Hollywall Entertainment, is Roxanna Green, a highly experienced executive with over three decades in media and entertainment. Her strategic direction for HWAL brings a practical approach to transforming the company’s assets—namely, a vast catalog of music recordings, some by legendary artists—into a digital format. This shift could monetize significant value, but it’s a complex undertaking with distinct challenges, both in the music publishing industry itself and in translating those assets for today’s market.

Music Catalog with Projected Value and Real Challenges

Hollywall Entertainment’s music catalog is its core asset, comprising tens of thousands of master recordings. Some of the recordings are from iconic artists such as Ray Charles, Ella Fitzgerald, Johnny Cash, and many others. Valued at over $100 million in 2019, this catalog potentially holds incredible cultural and financial value. However, value in the music business is not always simple to unlock, and the music publishing sector is notoriously complex. With copyrights, rights management, and the evolving nature of digital consumption, the industry requires deep knowledge and effective strategy.

The business of music publishing, especially with historical catalogs, is layered. Unlike other assets that can be valued purely on future revenue projections, music publishing involves several distinct revenue streams: mechanical royalties from sales and streaming, public performance royalties, synchronization licensing for film and TV, and other uses like merchandise. Each of these revenue streams is tied to specific legal rights, ownership claims, and often multiple stakeholders, which need to be carefully navigated to realize value.

Understanding the Complexity of Music Publishing Rights

For HWAL, monetizing these assets means more than just streaming the music. The music publishing business is governed by a complex web of rights, including publishing rights, mechanical rights, and sync rights, each overseen by different agencies and subject to various industry agreements. Publishing rights are typically controlled by publishers who handle distribution and collection on behalf of the songwriters, while mechanical rights cover royalties paid on physical or digital reproductions.

Performance rights, on the other hand, are collected by organizations such as ASCAP and BMI, which represent artists and songwriters and handle royalty collections for public plays in various venues and on platforms. Sync rights are perhaps one of the most lucrative areas, allowing the music to be licensed for commercials, movies, and shows, which requires careful negotiation and legal compliance. Each right provides a potential revenue stream but requires specific expertise to manage and monetize, especially when dealing with historical catalogs where ownership and claims can be difficult to track.

Structural and Execution Risks in Digitizing and Monetizing the Catalog

While HWAL’s catalog valuation seems promising, there are inherent risks in translating analog assets into digital revenue. This challenge has two parts. First is the structural risk: Can HWAL effectively digitize these assets while preserving their value? Digitization alone is not enough; a thorough analysis of each recording’s potential in the modern market is needed. It’s essential to understand which songs have licensing potential, where demand may lie, and how to structure deals that maximize returns.

The second part of this challenge is execution risk. Music publishing and rights management involve multiple parties, all of whom have stakes in how these assets are distributed and monetized. In addition, the legal landscape for digital music is constantly evolving, and external factors like market fluctuations and shifts in streaming demand can impact revenues. Roxanna Green’s leadership will be critical here, as she navigates these complex waters and aligns HWAL’s operations with industry standards to avoid costly delays and maximize revenue.

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CEOBLOC

We are a bloc of public CEOs, executives, and shareholders committed to putting an end to naked short-selling and other abusive trading practices.

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