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Where the Fog Never Lifts

In a place forgotten by time, the sea still whispers secrets to those who stay behind

By Imran KhanPublished 8 months ago 3 min read
In the eternal fog of Blackmere, one man refuses to let the light die—because some souls still need guiding home.

The fog never lifted from the cliffs of Blackmere. It rolled in from the ocean every morning before sunrise and lingered until well after dusk. Some claimed it never left at all.

The lighthouse at Blackmere had stood for over a hundred years, a silent sentinel above the jagged rocks. Now automated, its great light spun methodically without a keeper—except there was still one man who refused to leave.

Edgar Pell.

He wasn’t listed on any payroll. He hadn't filed taxes or received mail in over a decade. The Maritime Authority marked the station as “unmanned.” But if you asked the few who lived near the coast, they’d tell you that someone was still up there. A lantern still burned in the keeper’s window. Footprints appeared in the sand near the jetty. And sometimes, on fog-heavy nights, you could hear music drifting down the cliffs—a violin, slow and sorrowful.

Edgar had come to the lighthouse thirty years ago, after his wife, Norah, vanished during a storm at sea. She was aboard a small ferry headed to the mainland. No wreckage was ever found. No survivors. Just the mist and silence.

They said Edgar never accepted it.

He took over the lighthouse after the last official keeper retired. And when the state decommissioned it five years later, Edgar simply stayed. They tried to remove him once, sent a boat with men from the city, but when they arrived, the fog was so thick they couldn’t find the dock. Some said they heard voices calling to them from the water—others claimed they saw shadows walking beneath the waves. They turned back. No one tried again.

And so Edgar remained.

Each day, he maintained the tower as if it still mattered. He scrubbed the salt from the glass, oiled the ancient gears, and played Norah’s violin as the sun dipped below the horizon. He believed, deeply, that she would return.

One night, as he sat in the watchroom tuning the violin, the fog thickened more than ever before. It poured in through the cracks around the windows like a living thing. The light outside flickered once, then went dark.

Edgar stood immediately. The backup generator hadn't failed in twenty years. He rushed to the stairwell—but the sound stopped him.

It was a knock.

Soft. Deliberate. From the outside door.

Nobody knocked at the lighthouse. Not anymore.

He opened the door.

A woman stood there in a drenched blue coat, her dark hair plastered to her cheeks. Her face was pale, but familiar. Her eyes, sea-gray. She said nothing, only looked at him with something between sorrow and relief.

“Norah?” he whispered.

She didn’t answer. Just stepped past him, walking toward the tower stairs. Her hand brushed the railing gently, as though remembering the path. He followed, heart pounding, not knowing what to think.

She climbed to the lantern room, where the fog was so dense it pressed against the glass like breath on a mirror. She turned to face him.

“Why are you still here?” she asked.

“I—I’ve been waiting,” Edgar stammered. “For you. You never came back.”

Her expression softened. “I couldn’t. Not until now.”

“Why now?”

“Because the light’s gone out.”

She looked past him, out to sea. “They’re lost. Just like I was. You have to guide them.”

Then she was gone.

No sound. No flash of light. Just the echo of her words.

Edgar ran to the controls. The generator was dead. He lit the emergency beacon by hand—an old oil lantern designed for disasters. It flared weakly but enough. He angled it out the window, sweeping it across the ocean.

Through the fog, he saw them.

Three ships. Silent. Drifting. Their sails torn, barely visible. No radios. No modern lights. Just shadows on the tide.

He aimed the beam toward safe passage. The ships adjusted course, one by one, and disappeared into the night.

When the fog thinned, the tower stood quiet again. But the lantern remained lit.

And Edgar, once more, was alone.

Or maybe not quite.

humanity

About the Creator

Imran Khan

I am a passionate writer, meticulous editor, and creative designer. With a keen eye for detail and a love for storytelling, Me bring words and visuals together to create compelling narratives and striking designs.

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