Weekend visits
once upon a time,
wintery Wednesday nights for a while,
later to be eaten alive by the Summer sun,
the smell of the factories,
the grease on your hands.
My father used to call me bud,
but his seed never really sprouted,
wilting beneath sunshine and drowning in thin waters,
relying on the highness from capsules
to get by.
In Kane, Rosebud was a word
hidden away in a locket, in something
even deeper than that could ever be,
locked behind Welles’ ribcage, deeper,
deeper.
When Dad’s precious truck was stolen,
a plastic remnant remained or was found
or maybe grown with love
and became my favourite object,
carried around in scratched and tearing denim pockets
when we’d play from sunrise onwards
in the construction site nearby,
as though this tiny fragment may bring the whole vehicle back.
I remember my excitement when
my first stubble grew
because the subtle scratch of stubble
always reminded me of you,
and I remember eating dinner
cross-legged on your front garden,
the fake grass slightly scratchy
while you dozed off on the sofa,
robots battling on the screen before you
made uninteresting, bland
by the sleepiness of over-time.
I’d lose focus outside and stare off,
the building site shrinking,
the ecstatic yellow sky beginning to dim
fading, fading
away into nothing,
my two much needed nurturers
painfully absent.
These days the sky is grey and your chair
has been empty for longer
than it was ever full
in the first place.
When I re-trace my weary steps,
I see clearly where the stem snapped
I see where the colour was drained, where
it was purposefully washed away,
the vivid paints eaten alive
and now your flower wilts
drowning in some puddle
somewhere,
unseen.
About the Creator
Reece Beckett
Poetry and cultural discussion (primarily regarding film!).
Author of Portrait of a City on Fire (2020, Impspired Press). Also on Medium and Substack, with writing featured… around…

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