To No Avails,
I've tried to fill myself with everything else.
Yet echoes through my chest scream where should be bells.
To No Avails,
I've tried to find a family who through it all would end my isolation.
Yet in the end, it became just one more exercise that wrought deceits and devastation.
To No Avails,
I've tried to let the scars and scabs fade with the scrapes and bruises.
Yet they keep plucking at them, clipping the stitches and cutting the sutures, the ghosts of yesterday pull me away from the future.
To No Avails,
I've begged a thousand times to start from the beginning, to feel less trapped and have choices to pick between, something to get me out of this mental anguish and hell.
Yet I know myself, if I got those thousand more chances I'd make a thousand same choices, to no avail.
.
About the Creator
Tommy Ballard
I'm a professional writer, a poet, a digital artist and an amateur musician. In my free time, I'm often be found pondering magnets, breaking and entering random homes to steal locks of human hair, and dosing snoring sleepyheads with Zyns
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'20/20'
"Do It Again" the track that would ultimately open the Beach Boys final album on Capitol Records which was released on February 10th 1969 had originally been released as a single in August of 1968. The track was the first of many post-Pet Sounds era throwbacks to the early Beach Boys sound which would become continually more cliched and eventually lead the Beach Boys to the level of self-parody they would eventually succumb to in the 1980s while their closest contemporaries The Beatles nearing the end of their run in 1969 would go on to be viewed as the most influential band of all time. However, the song itself is not bad on its surface, and it opens with a futuristic sounding (for 1969) drumbeat captured by then-Beach Boys engineer Stephen Desper using tape delays on the drums performed by Dennis Wilson and John Guerin. The song has been re-recorded numerous times over the years on various Beach Boys-related projects most notably the 2011 re-recording at Capitol studios featuring the five surviving Beach Boys at the time backed instrumentally by various members of both the Brian Wilson Band and Mike Loves touring "Beach Boys" to promote the then upcoming Beach Boys 50th Anniversary reunion tour in 2012. The hammering and power drill sound at the end of the song was an excerpt from a track called "Workshop" that was to be a part of the uncompleted "SMiLE" album.
By Sean Callaghan6 days ago in Beat
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