The woman I want to be, the mom I want to be, the wife I want to be is gonna require letting go of everything I thought I needed, letting go of the hurt that I owned so please give me time to grieve the little girl I never got to be.
give me time to grieve the little girl that is still in me who never knew what love was just what it wasn't.
give me time to grieve the little girl that is still in me that felt like she was a burden to everyone around her and was only good when she was silence.
give me time to grieve the little girl that is still in me that's a little broken and still waiting to be chosen by someone who doesn't give her a second thought.
give me time to grieve the little girl that is still in me because I couldn't save her from everything that was done to me and for that I say to her I'm sorry.
And I hope she accepts my apology.
About the Creator
cheyenne
Hey guys I'm Cheyenne and I'm a inspiring writer and photographer. Between the Chaos and the peace is where you'll find me. can follow me on Instagram: @shiney.poetry
'20/20'
"Do It Again" the track that would ultimately open the Beach Boys final album on Capitol Records which was released on February 10th 1969 had originally been released as a single in August of 1968. The track was the first of many post-Pet Sounds era throwbacks to the early Beach Boys sound which would become continually more cliched and eventually lead the Beach Boys to the level of self-parody they would eventually succumb to in the 1980s while their closest contemporaries The Beatles nearing the end of their run in 1969 would go on to be viewed as the most influential band of all time. However, the song itself is not bad on its surface, and it opens with a futuristic sounding (for 1969) drumbeat captured by then-Beach Boys engineer Stephen Desper using tape delays on the drums performed by Dennis Wilson and John Guerin. The song has been re-recorded numerous times over the years on various Beach Boys-related projects most notably the 2011 re-recording at Capitol studios featuring the five surviving Beach Boys at the time backed instrumentally by various members of both the Brian Wilson Band and Mike Loves touring "Beach Boys" to promote the then upcoming Beach Boys 50th Anniversary reunion tour in 2012. The hammering and power drill sound at the end of the song was an excerpt from a track called "Workshop" that was to be a part of the uncompleted "SMiLE" album.
By Sean Callaghan6 days ago in Beat
Comments
There are no comments for this story
Be the first to respond and start the conversation.