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Thoughts on The raven

Thoughts on The raven

By Gabriel L AmorimPublished 8 months ago 2 min read

And the Raven, never flitting, still is sitting, still is sitting

On the pallid bust of Pallas just above my chamber door;

And his eyes have all the seeming of a demon’s that is dreaming,

And the lamp-light o’er him streaming throws his shadow on the floor;

And my soul from out that shadow that lies floating on the floor

Shall be lifted—nevermore!

Edgar Allan Poe. The raven.

The raven, messenger of mourning, is the narrator’s very own conscience. The image of the bird is simple, and in that simplicity, terrifying. Still upon the bust of Pallas, symbol of reason now powerless, the raven becomes the embodiment of what the man already knows but cannot yet accept: the death of love, the final loss, the inescapable solitude.

It speaks the final word, “nevermore”, a verdict that allows no appeal. And it stays. It stays because the man’s torment is not born of absence, but of presence. It is this absolute presence, this unyielding judgment that neither shifts nor softens, that condemns him.

The bird speaks just enough, just once. For us, progressively to man, we see that it is not truly the raven who replies, it is the man himself, unraveling, the words he cannot spell by his own despair, into feathers and form. What we hear is the echo of a mind undone. The shadow the bird casts long, low, and lingering does not merely fall across the floor, it merges with his soul. For grief denied does not disappear, it settles, seeps and stays.

“Nevermore” is not only about Lenore, it is the death of peace itself for the man. Love is gone and as long as the man resists this truth as long as he seeks sound in silence and answers in shadows, he is bound to the raven, bound to the weight of what he knows but will not yet name. And whether this refusal to see, or this slow, searing awakening, takes hold of him, it may kill him. Not through violence, but through clarity. For The raven is not about death in flesh and final breath, but about the moment when the soul truly sees that death, and what it takes, is forever.

And there is no greater terror than that.

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About the Creator

Gabriel L Amorim

Writer who ventures into the fantastic, but who also observes and reports the fantastically beautiful things in life in chronicles. Graduated in management, he usually works as an educator and enjoys sharing perspectives.

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