Now she's sitting at the corner of her room
Tired of waiting for when she escapes this cocoon
She's tired of a hope that the world promised
But she can't tell anyone, her friends mustn't be worried
She just wants to feel okay
Her mouth's tired after all the prayers she prayed
Dark patches around her eyes from tears and self-harm
Drugs to help her sleep and calm all triggering sounds
Pills on the floor, gun in hand
Tears falling, one last hope is what she need now
Hands trembling as she cries some more
Internally screaming with vocal cords getting sore
Exhausted from everyone she has ever met
Click and oh, the bullets weren't in yet
Phone lit up, notifications dancing through
Just her boss telling her she'd been fired
I guess the camel's back wasn't spared
Bullets in now , she has no time to loose
But before she goes, she says her last words
"Big guy , if you exist, I am coming home"
Gun to her head, second time on her temple
Boom goes the gun, alarm screams at a loud volume
About the Creator
Harydo Neon
I drain my thoughts through my pen. That's the only way I breathe.
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'20/20'
"Do It Again" the track that would ultimately open the Beach Boys final album on Capitol Records which was released on February 10th 1969 had originally been released as a single in August of 1968. The track was the first of many post-Pet Sounds era throwbacks to the early Beach Boys sound which would become continually more cliched and eventually lead the Beach Boys to the level of self-parody they would eventually succumb to in the 1980s while their closest contemporaries The Beatles nearing the end of their run in 1969 would go on to be viewed as the most influential band of all time. However, the song itself is not bad on its surface, and it opens with a futuristic sounding (for 1969) drumbeat captured by then-Beach Boys engineer Stephen Desper using tape delays on the drums performed by Dennis Wilson and John Guerin. The song has been re-recorded numerous times over the years on various Beach Boys-related projects most notably the 2011 re-recording at Capitol studios featuring the five surviving Beach Boys at the time backed instrumentally by various members of both the Brian Wilson Band and Mike Loves touring "Beach Boys" to promote the then upcoming Beach Boys 50th Anniversary reunion tour in 2012. The hammering and power drill sound at the end of the song was an excerpt from a track called "Workshop" that was to be a part of the uncompleted "SMiLE" album.
By Sean Callaghan7 days ago in Beat
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