Whispers intertwine like fumes,
Truth misshapen in shadows,
Eyes sparkle with a flawed light.
💨💨💨💨💨
A web of deceit,
Threads turn with a silver tongue,
Reality curves.
🕸️🕸️🕸️🕸️🕸️
The king of lies,
Each story a fragile move,
Trust broken like glass.
👑👑👑👑👑
Promises like murk,
Disappearing with dawn’s first blush,
Hope holds onto the wind.
🌬️🌬️🌬️🌬️🌬️
Echoes of history,
Each fib a haunting apparition,
Memories buried.
👻👻👻👻👻
In the mirror's ogle,
Reflections rotate and stagger,
Who looks back at me?
🪞🪞🪞🪞🪞
A heart hidden,
Behind walls of fictional tales,
Longing for the truth.
🤲🤲🤲🤲🤲
Murmurs of the spirit,
Starving for a single word,
Honesty's embrace.
🌬️🌬️🌬️🌬️🌬️
Yet the web tightens,
Caught in the threads of my fibs,
A road I can't abandon.
🕸️🕸️🕸️🕸️🕸️
Beneath the outside,
A delicate heart beats softly,
Longing to be free.
⛓️💥⛓️💥⛓️💥⛓️💥⛓️💥
So here I stay,
A painter of my own destiny,
Lost in my own story.
📚📚📚📚📚
In quietude I dream,
Of a world where truth conquers,
And lies erased.
🏴☠️🏴☠️🏴☠️🏴☠️🏴☠️
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About the Creator
Talia Devora
Poetess, entrepreneur, visual artist, DIY lover, recreation and leisure enthusiast, history buff, and a foreign language addict!
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'20/20'
"Do It Again" the track that would ultimately open the Beach Boys final album on Capitol Records which was released on February 10th 1969 had originally been released as a single in August of 1968. The track was the first of many post-Pet Sounds era throwbacks to the early Beach Boys sound which would become continually more cliched and eventually lead the Beach Boys to the level of self-parody they would eventually succumb to in the 1980s while their closest contemporaries The Beatles nearing the end of their run in 1969 would go on to be viewed as the most influential band of all time. However, the song itself is not bad on its surface, and it opens with a futuristic sounding (for 1969) drumbeat captured by then-Beach Boys engineer Stephen Desper using tape delays on the drums performed by Dennis Wilson and John Guerin. The song has been re-recorded numerous times over the years on various Beach Boys-related projects most notably the 2011 re-recording at Capitol studios featuring the five surviving Beach Boys at the time backed instrumentally by various members of both the Brian Wilson Band and Mike Loves touring "Beach Boys" to promote the then upcoming Beach Boys 50th Anniversary reunion tour in 2012. The hammering and power drill sound at the end of the song was an excerpt from a track called "Workshop" that was to be a part of the uncompleted "SMiLE" album.
By Sean Callaghan6 days ago in Beat
Comments (5)
I liked the form, looking like a multi haiku , but not one. Some great analogies to stimulate our minds on this subject
So so amazing .i love your content and subscribed. Kindly reciprocate by subscribing to me also . thank you and keep it up
Awesome piece
I think every one of us goes through times like these. It is a fantastic poem which shows a side of a person that not all of us ever see.
Good content.