Positively charged
How my brain works?
There are many thoughts at the beginning
Each of them valiantly fighting to be visible
Oscillating around the circle
Every one of them creating contrasting charges
Although I’m supposed to be in charge of them
Yet without any knowledge about it
For years
Leaving myself in the dark ages of shame
Each thought is trying to grab my attention
With all the gold, silver, black, and also any pastel colour
Counting on the similarity to me
At the time of speaking
Taking into account my circumstances, emotions
Gender, mood, past, tiredness, and a lot of troubles
The same as the success
Dragging me down if it was someone else’s whim playing around
Before I get any far
Consciously choosing clown’s disguise
To parade in front of anyone
Who doesn’t believe what I'm saying
*
3 May 2021
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Thank you for reading!
About the Creator
Moon Desert
UK-based
BA in Cultural Studies
Crime Fiction: Love
Poetry: Friend
Psychology: Salvation
Where the wild roses grow full of words...
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'20/20'
"Do It Again" the track that would ultimately open the Beach Boys final album on Capitol Records which was released on February 10th 1969 had originally been released as a single in August of 1968. The track was the first of many post-Pet Sounds era throwbacks to the early Beach Boys sound which would become continually more cliched and eventually lead the Beach Boys to the level of self-parody they would eventually succumb to in the 1980s while their closest contemporaries The Beatles nearing the end of their run in 1969 would go on to be viewed as the most influential band of all time. However, the song itself is not bad on its surface, and it opens with a futuristic sounding (for 1969) drumbeat captured by then-Beach Boys engineer Stephen Desper using tape delays on the drums performed by Dennis Wilson and John Guerin. The song has been re-recorded numerous times over the years on various Beach Boys-related projects most notably the 2011 re-recording at Capitol studios featuring the five surviving Beach Boys at the time backed instrumentally by various members of both the Brian Wilson Band and Mike Loves touring "Beach Boys" to promote the then upcoming Beach Boys 50th Anniversary reunion tour in 2012. The hammering and power drill sound at the end of the song was an excerpt from a track called "Workshop" that was to be a part of the uncompleted "SMiLE" album.
By Sean Callaghan7 days ago in Beat
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