nye (a meditation on 2019)
i meditate on the new year, the old me, and the spaces in-between.

nye
poetry shaped my year
burdened it
molded it
forced me to use my head
better the constellatory friendships
i wanted to keep
at the end of the day
i suppose it’s self-congratulatory
prose benefited from a hard stare
a willingness to flinch and still look back
i think i spent most of 2019 dreaming, of course i worked and catered toward the material and the social but i spent most of the year looking inward and upward. wondering what knew word-laden sense of gravitas might fulfill me or teach me something next. poetry made me feel so utterly connected to myself and others but in the next space i felt more disconnected from what i thought or knew firsthand about my worldview. i mostly diaried under the cover of night whether it was working on the next step or next book, but typically i was begging myself to never fall in love.
-
prose brought me self-respect
more glances in the mirror
self satisfied smiles and embracement of tears
the smile warmed my cheeks like an old friend
“it never comes out how i want”
that’s okay
someone is always listening
-
self reflection and doubt intertwined like a silent snake around my throat at night, i could breach that terror with my words to soothe me under duress, sometimes it still didn’t guarantee the ice block in my throat would melt. when i did speak i felt strangely maudlin about the action, it made me wonder if this is the person i really wanted to be.
-
you’re so high
you can’t speak
there’s no breathing room up here
i’m lifted anyway
i feel like it’s their right
it’s still tender
the wound
im being touched everyday
in those moments
i miss performing for myself
in an empty house
the cliched lonely artist
the space where the words i say
and the way i move my body
is all mine
that person who is all alone
is the only imposter i like
he’s earned these quiet moments
-
i understand my blackness when i’m writing poetry. melanin and prose feel as if they are constantly walking hand in hand, a mastery of written dynamism. sometimes my blackness feels incomplete without it, sometimes my queerness intertwines with it in an intensity i still don’t quite have a grasp of. like every black luminary we leave it all on paper, and we take it all in with a breath. sometimes that’s all you can do, i hope i don’t dream too big.
i couldn’t have what is shimmering
without the blue
imagine my charmed exhale
then
the deafening sound
of a dozen glasses breaking
the shards on the floor
whispering amongst themselves
under fluorescent ecstacy
-
as i get older, i learn that goodbyes are just that. the tendency to cling to things that no longer serve you well no longer factor into your identity, suddenly solitude isn’t as sinister when you’re more sure of yourself and your happiness. i used to write a lot about the dark places that used to bring me to, but as i learned more about what i was scared of in that place, i started to let more light in. i allowed my consciousness to stay buoyed and tied to being just as happy with the grey areas as i was with the white. i’m falling in love with this person, i can’t wait to tailor this person to fit my growing definition of happiness, for now this grey suit fits just fine.
thank you,
i will see you all in 2020
love,
bandit // j.w.
About the Creator
Joshua Williams (j.w. & bandit)
Bestselling poetry author of 'Joshua Williams in a Week of Suicide(s)' and 'love bandit'.
Contact info:
twitter: @jshwilliams4
instagram: @jshwilliams4


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