jittery expectations
rushed excuses
something PLEASE
to stop the endless anticipation
...
there will be trust in the heart
and calm in the mind or soul
but there is too much to decide in the single given moment
if only pleas would soar higher than the crimson
and our burning skies could crumble on cue with our river-shining tears
...
the molten mass of nonsense
should silence battle cries of change
but resilience burns longer
before ultimately the anxious villain
and doomed pathways
will crossbow through our hearts to swallow the peace of our soul
leaving pieces of memories sharp and swollen
-
fin.
About the Creator
Ruby Red
Heya friend, I'm Red!
I write poetry, so subscribe for a hint of vulnerability, some honesty and the occasional glimpse behind my mask 🌱
Taking a break from Vocal; focusing on my anthology 🫶💖
AI is not art.
'20/20'
"Do It Again" the track that would ultimately open the Beach Boys final album on Capitol Records which was released on February 10th 1969 had originally been released as a single in August of 1968. The track was the first of many post-Pet Sounds era throwbacks to the early Beach Boys sound which would become continually more cliched and eventually lead the Beach Boys to the level of self-parody they would eventually succumb to in the 1980s while their closest contemporaries The Beatles nearing the end of their run in 1969 would go on to be viewed as the most influential band of all time. However, the song itself is not bad on its surface, and it opens with a futuristic sounding (for 1969) drumbeat captured by then-Beach Boys engineer Stephen Desper using tape delays on the drums performed by Dennis Wilson and John Guerin. The song has been re-recorded numerous times over the years on various Beach Boys-related projects most notably the 2011 re-recording at Capitol studios featuring the five surviving Beach Boys at the time backed instrumentally by various members of both the Brian Wilson Band and Mike Loves touring "Beach Boys" to promote the then upcoming Beach Boys 50th Anniversary reunion tour in 2012. The hammering and power drill sound at the end of the song was an excerpt from a track called "Workshop" that was to be a part of the uncompleted "SMiLE" album.
By Sean Callaghan7 days ago in Beat
Comments (2)
Oooo, this was phenomenal! Loved your poem!
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