sunday morning
starched white intruder
food lukewarm tasteless gr██l
vitals and go█d memory tablets
newspaper from the future
in wrinkled hands disconnected
window's light is all wr█ng
not dancing on the wheat fields
prepare to welcome guests
amish farm table familiar to my touch
heirloom furniture t██ close
four corners closing in
peeling wallpaper calling out
my name, one of m█ny
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thumb and finger pull back layers
as if turning bible pages
1\olive and khaki vines
how could █ war be great
no more peace on earth
2\buttermilk floral spanish flu
jaundiced child’s face
pray ███ empty pews
3\obsidian crash
everything ████
except farm and family
fed dandelion roots
4\russet and sand
sepia t█ned oxygen in the lungs
prairie sky gone d███
5\insignia grey
men all gone to ██████
wrapped in blood soaked rags
6\farmhouse r ed
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6\far mhou sere d
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6\██████
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7\█████
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█\█████████
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████
hello i l█ve you too
m█ther, ███ look so young
too young; sister██daughter██
███how could i have a daughter███
gr███daughter
gr█at gr█ndda██hter
lost ███ hundred years
forgetting\█████████
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forgetting\█████████
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t e llmyd
ad dy wal lpape
ris p eel ing
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'20/20'
"Do It Again" the track that would ultimately open the Beach Boys final album on Capitol Records which was released on February 10th 1969 had originally been released as a single in August of 1968. The track was the first of many post-Pet Sounds era throwbacks to the early Beach Boys sound which would become continually more cliched and eventually lead the Beach Boys to the level of self-parody they would eventually succumb to in the 1980s while their closest contemporaries The Beatles nearing the end of their run in 1969 would go on to be viewed as the most influential band of all time. However, the song itself is not bad on its surface, and it opens with a futuristic sounding (for 1969) drumbeat captured by then-Beach Boys engineer Stephen Desper using tape delays on the drums performed by Dennis Wilson and John Guerin. The song has been re-recorded numerous times over the years on various Beach Boys-related projects most notably the 2011 re-recording at Capitol studios featuring the five surviving Beach Boys at the time backed instrumentally by various members of both the Brian Wilson Band and Mike Loves touring "Beach Boys" to promote the then upcoming Beach Boys 50th Anniversary reunion tour in 2012. The hammering and power drill sound at the end of the song was an excerpt from a track called "Workshop" that was to be a part of the uncompleted "SMiLE" album.
By Sean Callaghan6 days ago in Beat
Comments (1)
Deep❤️😉💯