Letting go:
I
I
I hate myself today
Just like yesterday
It's all the same
Wish that I could say
I wasn't to blame
Cause I cut my heart
And left it to bleed
Just all these years
It's wasted away
Now I'm screaming
And it's beating
From its shallow grave
Manic and depraved
Echos of my soul
Are you still sane
Are you still sane
Here in the rain
Why
Why
Why was I so blind
Vise so tight
Was in a bind
Tightly in the grasp
Jaws of the asp
Left poison in my veins
Vemonous distain
Dying from inside out
An empty space
Now I'm screaming
And it coursing
Through my brain
Toxic and deranged
Memories devouring
Are you still whole
Still whole
Watching me fade
My
My
My thoughts all lost
On the days
Every mistake
I ever made
It's been a long
Life and I'm ready
For a rest
To place my stone
Sink beneath it all
I'm done screaming
Nothing beating
No movement
Of my chest
Not a single
Bated breath
Lay here drowning
Drowning
Inside my head
Clasp my hands
Close my eyes
It only matters
When it's gone
Kaloriinn, James. Mason go:
About the Creator
Kaloriinn Mason
I have been writing for years.. I don't have much posted here, considering everything I have or have lost over time. I have been writing songs and turning old works into music lately
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More stories from Kaloriinn Mason and writers in Poets and other communities.
'20/20'
"Do It Again" the track that would ultimately open the Beach Boys final album on Capitol Records which was released on February 10th 1969 had originally been released as a single in August of 1968. The track was the first of many post-Pet Sounds era throwbacks to the early Beach Boys sound which would become continually more cliched and eventually lead the Beach Boys to the level of self-parody they would eventually succumb to in the 1980s while their closest contemporaries The Beatles nearing the end of their run in 1969 would go on to be viewed as the most influential band of all time. However, the song itself is not bad on its surface, and it opens with a futuristic sounding (for 1969) drumbeat captured by then-Beach Boys engineer Stephen Desper using tape delays on the drums performed by Dennis Wilson and John Guerin. The song has been re-recorded numerous times over the years on various Beach Boys-related projects most notably the 2011 re-recording at Capitol studios featuring the five surviving Beach Boys at the time backed instrumentally by various members of both the Brian Wilson Band and Mike Loves touring "Beach Boys" to promote the then upcoming Beach Boys 50th Anniversary reunion tour in 2012. The hammering and power drill sound at the end of the song was an excerpt from a track called "Workshop" that was to be a part of the uncompleted "SMiLE" album.
By Sean Callaghan6 days ago in Beat
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