From the North Field
A Previously Lost-In-Transit Letter to Myself

I grew up in the picked clean bare skeleton
Outside of a steel mill city with a fervent rust complexion
Where the building bricks ran down with ombres of rouge along their sides,
Crying messy streaks like I was not allowed
The metal beams and nude support structures
Shedding fresh baked thin biscuits the color and
Scorch of a molten metal that had forgotten the passion of how to burn,
And paint flakings kaleidoscoped in psychedelic popping and blooming rainbows,
Showing the trending colors 15 years behind the vogue, rippling
Out like an oil drop having runoff in a pond.
Coincidentally the populace was similarly arranged
From city epicenter to outskirts by color of their skin
As if a misplaced ballpoint pen had been left on cloth
Then feverishly been scrubbed out to leave a dilute permanent watermark ring
A monochromatic gradient that skewed my understanding of color not with prejudice, but
Enabled me with a naivete and a curiosity of what lay outside of a societal system’s pale grasp.
I heard the bigoted barks from judgmental jaws
About racial epithets just the same tone as the ridicule
I heard about the bend in my hip or my slippery voice and in-toed sitting.
As a tow-headed child sidled between the verdant country and muted city
Sandwiched between the lofty homogenized white bread slices of prejudice and dogma
I took to the trees where I studied every sassy fern and
Sauntered along stripes of pitched coal and sheetrock.
Hardly ever disturbed there, my musings were boundless and safe
Even from ridicule reverberating in my callow brain,
I incubated in the woods, in a haven where I could metamorphosize my thoughts
Hormones raged alongside eccentric feelings of confusion and technicolor fantasies that
Only existed when people dared paint the atmosphere with a variegated brush palette.
In my woods I traipsed through wintry landscapes and over snowy covered roots
With the intention of burying myself under dusted blue-white ice with dirty streaks on top of pond
Pockets formed by tributaries grinning red orange streaks, scattered along the woodland terrain.
I came out of the woods when I was 14 to a cinematic medical scene
Two life squad crew carried my mother out of her bedroom
Piled high with impulsively bought books with dust affinities
And even dusty home shopping network clothes in hidden prints and patterns
That she never washed because they were never worn.
She had consumed every tint of pill
In her heavy brown wicker basket of a pill box.
The ambulance lights didn’t refract emitted diode streaks in my eyes
Because I was not allowed to cry.
Neighbors brought loud tinny trays of foods to our door
And I went to school each day
Like a sense of normalcy was enough of a life support to keep me
Afloat as the clinical medusa’s nest of clear hospital tubes that miraculously revived my mother
She stepped out of the hospital
When ice thawed down to sloppy grounds and spunky grass patches,
Having missed all the semi-arctic snowy glitter and arid burning winds.
From that example I discovered my own pain was not some
Metaphoric escape route, no useful rough thorny rope tied in a noose nor a frigid plunge absolving me from affliction
When I departed the woods I set in search of soft chiffon compassion curled around muscly
Sinews of testosterone and hands to hold me, Palms much larger than mine,
I let men who I thought were clever
Paint their stories and ideas
Down my limbs
As I tried tracing the outline of a father figure against their skin
Around their flexing spines and pumping shoulder bones
Along uncharted connect-the-dots of dark moles and fair pock marks,
Grasping at their backs like I could not find air
Or as if my breathing might not succeed
Each time a feverish heat blossomed along my chest and up my neck
I kept feeding a carnal vice under the shroud of kissy romance and dewy fairytales,
By building a man made only of sand and
Often the disappointing but honest waters would wash him away
I moved to a metropolis,
Fueled on a television’s static buzz and glamorous magazine finger smudges
Of what could be.
Where I was I didn’t find love that I wretchedly wanted
And I departed a rear view of factories constructed like prison compound kingdoms, with
Smoke stack pilot lights dancing a maiden siren call I could no longer hear through smog castings
The faraway vantage of cityscape gleamed like a metallic nirvana
But when near my vision couldn’t be blinked clear to untarnish the metals and stubborn
Smudges on skyscraper windows.
I blew up fetishy latex rubber balloons the size of blimps for an artist
And I swiped scraps of silks from the floors and garbage cans of a no pay internship
I made my own beloved creations that were not stunted but that shone and grew
Like wind blown into soap rings to make buttery bubbles inspired by the greatest mirth and joy
And that delight was mine to keep.
I found a ratty beautiful gold terrier stranded in the middle of a street
Intersection between express route elephant buses and bustling bumble bee cabs.
I named my dog Liza Minnelli
Not simply because of the moody raven dark eyeliner markings around her eyes,
But also as a promise to be my queerest self
And I wanted to be a person with a funny dog whose pale pink sandpaper tongue stuck out
I dirtied my fingernails
Picking up pearly nickels and striped metrocard passes
next to tarred gum or collapsing wire trash cans
And I found a lasting love I told myself I did not deserve
And I did not paint a father figure on his back
And I worked four jobs of different lengths, commitments, focuses
And I saw a steroided disco ball make a shimmery plummet to announce the arrival of a new calendar
While working from a skyscraper’s 40th street vantage point
As I loathed a superior who filed her nails like a metronome against me
Hunching with slubby heavy sweaters
Over my shoulders and I cursed to myself about her heavy makeup
Because she did not let herself love
And I took a risk promised to myself years ago and whispered my secrets to the universe
Of a dream I had
Soon the city sparkled up the support beams and window panes glistened
And that dream did not turn into a reality like I imagined
And I didn’t commit to jump into the East River
And I found out I was okay and would be alright,
And I mean okay and alright in a certain confirmed manner,
Not like a colloquial rosy brushstroke to feign comfort
Watercolors from my soul poured down my face
And I cried.
About the Creator
Jacob McIntyre
Wordsmith
Apparel Architect



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