From Acros(s)tic the Room
Love and Letters (Pun Intended)
Fluttering Feelings
Racing, Rambling
Observing, Obsessing
Manic Movements and Manners
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Alluring Attributes
Curiously Craving
Ravenous, Rash, and Raw
Optimistic Opportunity
Stirring, Stimulating
Sexual Signals
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Tempting, Teasing, Tantalizing
Holding Heartstrings
Electrifying and Exhilarating
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Rousing and Relating
Oblivious and Overjoyed
Organic Overture
Mystical Magic in Motion
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Intrigue Intertwined
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Setting the Scene
Abstract yet Awe-inspiring
Whimsical, Wandering, Wistful
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Yearning
Overflowing
Ushering
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Anxious and Apprehensive
Noticeable Nervousness
Despite Determination and Drive
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Making Moves
Ambition, Ambivalence
Desires and Declarations
Enamoring, Entrancing, Emanating
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Youthful and Yielding
Openly Obsequious yet Obscure
Undefined, Uncharted, Unconstrained
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Motivation Morphing Mortal Minds
Into Idyllic Illusions
Naïvely Nudging into Naked
Elusive Escapades
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;
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Intermingling
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Friendship Formed
Obstacles Overcome
Unequivocally Understanding
Nurturing Needs
Deepening Dreams
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Living Life
Outlasting One
Vibrant and Vital
Experience
About the Creator
E.L. Martin
Powered by Nature, Humanity, Humor, Food, Lifestyle, Fiction, and Culture; Oh, and a questionable amount of coffee.
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'20/20'
"Do It Again" the track that would ultimately open the Beach Boys final album on Capitol Records which was released on February 10th 1969 had originally been released as a single in August of 1968. The track was the first of many post-Pet Sounds era throwbacks to the early Beach Boys sound which would become continually more cliched and eventually lead the Beach Boys to the level of self-parody they would eventually succumb to in the 1980s while their closest contemporaries The Beatles nearing the end of their run in 1969 would go on to be viewed as the most influential band of all time. However, the song itself is not bad on its surface, and it opens with a futuristic sounding (for 1969) drumbeat captured by then-Beach Boys engineer Stephen Desper using tape delays on the drums performed by Dennis Wilson and John Guerin. The song has been re-recorded numerous times over the years on various Beach Boys-related projects most notably the 2011 re-recording at Capitol studios featuring the five surviving Beach Boys at the time backed instrumentally by various members of both the Brian Wilson Band and Mike Loves touring "Beach Boys" to promote the then upcoming Beach Boys 50th Anniversary reunion tour in 2012. The hammering and power drill sound at the end of the song was an excerpt from a track called "Workshop" that was to be a part of the uncompleted "SMiLE" album.
By Sean Callaghan5 days ago in Beat
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