We talk about our views on war over pancakes
The word inevitable rests on your lips And it’s saved for
coffee refills
And the current climate of Europe
We share stories of our past lives and glances over the syrup selection
Your eggs are sunny side up, which is exactly how I’d describe you
You ask why I’m quiet,
but I’m too busy wondering when this booth will hold our ghosts, if this will become another meal I can never eat at a restaurant I can never frequent
It will be haunted by my rare smile and your endless laughs and undeniably my heart
, to answer you
A splotch of sticky dried up syrup pins me into my side of the vinyl red booth,
but I wouldn’t ever think of leaving anyways.
I want to stay right here for a while and eat pancakes drink bad coffee, eavesdrop on the couple behind us and talk about things we probably shouldn’t in public
Here is nice, and they serve breakfast
About the Creator
AJ
Because locking myself in a dimly lit house on the seaside and feverishly pouring my soul out on a typewriter is not available to me right now
'20/20'
"Do It Again" the track that would ultimately open the Beach Boys final album on Capitol Records which was released on February 10th 1969 had originally been released as a single in August of 1968. The track was the first of many post-Pet Sounds era throwbacks to the early Beach Boys sound which would become continually more cliched and eventually lead the Beach Boys to the level of self-parody they would eventually succumb to in the 1980s while their closest contemporaries The Beatles nearing the end of their run in 1969 would go on to be viewed as the most influential band of all time. However, the song itself is not bad on its surface, and it opens with a futuristic sounding (for 1969) drumbeat captured by then-Beach Boys engineer Stephen Desper using tape delays on the drums performed by Dennis Wilson and John Guerin. The song has been re-recorded numerous times over the years on various Beach Boys-related projects most notably the 2011 re-recording at Capitol studios featuring the five surviving Beach Boys at the time backed instrumentally by various members of both the Brian Wilson Band and Mike Loves touring "Beach Boys" to promote the then upcoming Beach Boys 50th Anniversary reunion tour in 2012. The hammering and power drill sound at the end of the song was an excerpt from a track called "Workshop" that was to be a part of the uncompleted "SMiLE" album.
By Sean Callaghan7 days ago in Beat
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