Gentle rains come forth
Neighbors withdraw with the sun
Soon, flowers follow
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A/N:
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About the Creator
Matthew J. Fromm
Full-time nerd, history enthusiast, and proprietor of arcane knowledge.
Here there be dragons, knights, castles, and quests (plus the occasional dose of absurdity).
I can be reached at [email protected]
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More stories from Matthew J. Fromm and writers in Poets and other communities.
Throne of the Beast
“Lock and load.” Knight One’s command echoed through his helmet, drowning out the helo’s thumping engines. Knight Two sat across from him, his mechanical gloves thumbing the safety on his oversized auto shotgun clad in etched black metal. Knight Four scoffed silently, his face obscured by the jet-black helmet. An uncivilized weapon for an uncivilized man. There are already enough of those in this godless world. Two always seemed unsettling, like a big frothing dog in a constant internal struggle of, “Should I bite or hump my master?” It was no wonder Callsign General loved Two, even if Callsign Archbishop barely tolerated him. One was the Archbishop's girl.
By Matthew J. FrommExclusive • 2 years ago
'20/20'
"Do It Again" the track that would ultimately open the Beach Boys final album on Capitol Records which was released on February 10th 1969 had originally been released as a single in August of 1968. The track was the first of many post-Pet Sounds era throwbacks to the early Beach Boys sound which would become continually more cliched and eventually lead the Beach Boys to the level of self-parody they would eventually succumb to in the 1980s while their closest contemporaries The Beatles nearing the end of their run in 1969 would go on to be viewed as the most influential band of all time. However, the song itself is not bad on its surface, and it opens with a futuristic sounding (for 1969) drumbeat captured by then-Beach Boys engineer Stephen Desper using tape delays on the drums performed by Dennis Wilson and John Guerin. The song has been re-recorded numerous times over the years on various Beach Boys-related projects most notably the 2011 re-recording at Capitol studios featuring the five surviving Beach Boys at the time backed instrumentally by various members of both the Brian Wilson Band and Mike Loves touring "Beach Boys" to promote the then upcoming Beach Boys 50th Anniversary reunion tour in 2012. The hammering and power drill sound at the end of the song was an excerpt from a track called "Workshop" that was to be a part of the uncompleted "SMiLE" album.
By Sean Callaghan7 days ago in Beat
Comments (5)
Accurate and very nice
love those short poems. They mean so much!
Elegant and fresh.
Pretty Haiku, though I hate the Spring 😂😂
Lovely