A Moment Acted
Interpretive glances
Will she do it?
Silence passes
One willing misfit
My bare midriff
Her stunning thighs
A moment unmissed
Sunset skies
The water arise
Two women naked
Her cerulean eyes
Circling waters sacred
Our moment patiently waited
My longed-for prize
Her lips leave me elated
Move closer under warmth guise
Her soft outcries
She’s no longer gated
The sounds give rise
Our heart rates rapid
Permission granted
My lips and tongue finalize
A moment acted
Butterflies and implies
The moment I apprise
Her allure amplified
As my fingers slide
Her pelvis complies
Unified sighs
Outside, she’s wild
How many times?
One more she obliged
Flows out the tide
Shared smiles
We leave side by side
But will she return to the waves?
About the Creator
A Lady with a Pen
Caroline Robertson's, books are beloved by both adults and children alike for their illustrations and engaging stories. She takes readers on an adventure, giving them the opportunity to explore different cultures, settings, and characters.
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'20/20'
"Do It Again" the track that would ultimately open the Beach Boys final album on Capitol Records which was released on February 10th 1969 had originally been released as a single in August of 1968. The track was the first of many post-Pet Sounds era throwbacks to the early Beach Boys sound which would become continually more cliched and eventually lead the Beach Boys to the level of self-parody they would eventually succumb to in the 1980s while their closest contemporaries The Beatles nearing the end of their run in 1969 would go on to be viewed as the most influential band of all time. However, the song itself is not bad on its surface, and it opens with a futuristic sounding (for 1969) drumbeat captured by then-Beach Boys engineer Stephen Desper using tape delays on the drums performed by Dennis Wilson and John Guerin. The song has been re-recorded numerous times over the years on various Beach Boys-related projects most notably the 2011 re-recording at Capitol studios featuring the five surviving Beach Boys at the time backed instrumentally by various members of both the Brian Wilson Band and Mike Loves touring "Beach Boys" to promote the then upcoming Beach Boys 50th Anniversary reunion tour in 2012. The hammering and power drill sound at the end of the song was an excerpt from a track called "Workshop" that was to be a part of the uncompleted "SMiLE" album.
By Sean Callaghan8 days ago in Beat
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