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How to Write a Story People Actually Want to Read

The Harsh Truth About Storytelling

By ThomasPublished 5 months ago 4 min read

We’ve all been there sitting with a cup of coffee, fingers hovering over the keyboard, thinking, This is the one. You start typing, the words flow… and then, halfway through, you realize something’s wrong. It’s not bad, but it’s not exactly something you’d stay up until 2 a.m. to finish reading either.

Here’s the thing: writing a story people actually want to read isn’t about being a “naturally gifted” writer or owning a magical pen. It’s about knowing what pulls a reader in and makes them forget about the clock. The good news? You can learn it—and it’s way more fun than you think.

1. Picture Your Reader

Before you write a single word, imagine who’s going to read it. Not a vague “audience,” but a person.

Are they a teenager sneaking in chapters after homework? A busy parent reading on their commute? A hopeless romantic devouring love stories?

Once you picture them, you’ll know how to talk to them. It’s like telling a story at a party—you tailor it depending on who’s listening.

2. Grab Them from the First Line

You have about three seconds to convince someone to keep reading. That’s your hook.

Your opening could:

* Drop them into the middle of something juicy.

* Show them something strange or unexpected.

* Make them feel like they have to know what happens next.

It’s not about being flashy it’s about making them curious. Think of it as handing them a door key and whispering, “There’s something in here you need to see.”

3. Give Us Characters We Care About

A story without characters we care about is like a sandwich without filling—it’s just bread.

We don’t have to *like* your characters, but we should feel something for them. Show us their quirks, their bad habits, the way they react when they’re scared or excited. Make them feel like someone we could meet in real life.

Pro tip? Let them surprise us sometimes.

4. Add a Problem Worth Turning Pages For.

Every story needs tension—something your character wants but can’t easily get.

It could be love, revenge, freedom, or just making it home in one piece.

The trick is making the stakes personal. We should understand why this matters so much to your character. If it matters to them, it’ll matter to us.

5. Keep Things Moving

A great story feels like a heartbeat—sometimes racing, sometimes slowing, but never flat.

If a scene isn’t moving the story forward or showing us something new about the characters, it’s like a commercial break in the middle of a movie. Cut it or spice it up.

And yes short sentences in tense moments work like magic.

6. Show, Don’t Just Tell

If I say, “It was cold,” you nod.

If I say, “Her breath curled in the air like smoke,” you feel it.

That’s the difference between telling and showing. You’re letting the reader experience the moment instead of just reading about it.

7. Make Us Feel Something

The best stories stick with us because they make us feel. They don’t just give us facts they give us moments that make our chest tighten, our lips curl into a smile, or our eyes sting.

To do this, dig into the senses smell, taste, sound, touch, sight and let your characters have real emotions, not just convenient ones for the plot.

8. Keep a Few Surprises Up Your Sleeve

We don’t want to see every twist coming. That doesn’t mean your plot should be random it just means give us little moments where we say, “I didn’t see that coming, but it makes sense.”

Sometimes, the best twist is something small: a character’s unexpected decision, a secret revealed at the worst time, a friendship that turns into rivalry.

9. End with a Feeling, Not Just a Period

A great ending feels like closing a door you’re tempted to open again. Whether it’s happy, sad, or bittersweet, it should stick in our heads.

Think of it this way: the beginning makes us start the story, the middle keeps us going, and the ending makes us recommend it to our friends.

10. Edit Like You Care About the Reader

Your first draft is you telling yourself the story. Every draft after that is for your reader.

Cut the fluff. Tighten the sentences. Make sure every scene earns its place. And yes, read it out loud you’ll hear the awkward bits your eyes skip over.

The Bottom Line

Writing a story people actually want to read isn’t about being perfect. It’s about connection.

It’s about giving readers someone to root for, a reason to keep turning pages, and moments they can’t forget.

If you can make them laugh, gasp, or feel a lump in their throat… congratulations you’ve just written a story worth reading.

If you’d like, I can now suggest the best Vocal Media category and tags** for this so it reaches the right audience and actually gets read. That way your article won’t just teach how to write a good story .it’ll be one.

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About the Creator

Thomas

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