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The Book of Mormon the Musical: A Theatre Review

A hilarious night out at the theatre, grab your popcorn

By Jessica MoorePublished 9 months ago 2 min read
Image: pxl.store/ AdobeStock

The theatre is renowned for pushing the boundaries through its irreverent humour and musical satire. The Prince of Wales Theatrical production of The Book of Mormon the musical did exactly this for me.

I was told by numerous people, “you must go and watch this hilarious musical; however, it takes a certain sense of humour to be able to handle it.” I don’t know what I was mentally preparing for before the show, I felt as though it wouldn’t be like my typical theatrical experiences.

As I found my seat with my reasonably priced beverage the show began. I immediately felt transported to 326AD with the incredible set design. Once I witnessed the creativity of the opening scene, I knew I was in for a treat.

Trey Parker, Robert Lopez, and Matt Stone’s creation of The Book of Mormon is known for being a Grammy award winning musical. When I heard the opening song “Hello!” I fully understood why this quirky and hilarious musical attained this award.

The production opened with a burst of energy, following two Mormon missionaries, Elder Price and Elder Cunningham. The characterisation of Elder Cunningham was quirky and satirical, and the dynamic he shared with Elder Price throughout the performance, along with their exceptional vocal performances, was genuinely impressive.

A personal favourite of mine was the first duet “You and Me (But Mostly Me),” performed by Elder Price, played by Blair Gibson and Elder Cunningham, played by Connor Peirson. This song not only sets the stage for the humorous relationship between the two characters but also defines their character. Elder Price sings with confident arrogance, and the repeated line 'but mostly me' draws laughter from the audience with each self-important refrain. Meanwhile, Elder Cunningham’s clumsy, off-beat harmonies and constant glances toward Price for approval, highlight his social awkwardness and endearing nature.

The musical later follows the two missionaries on their journey to Uganda, and I must commend the phenomenal and intricately designed set. The staging effectively recreated an African village, complete with a haze of fog to mimic the dusty savanna. Every element, from the detailed props like carts and animal carcasses to the authentic village costumes, were delivered exceptionally. It truly felt as though I had been transported to another continent.

However, it was during the number 'Spooky Mormon Hell Dream' that I truly understood what people meant when they said the humour in this show pushes boundaries, it was a pivotal moment that captured just how far the satire is willing to go. Firstly, the flamboyant red set, devil horns and flashing lights perfectly captivated what I pictured Hell to look like in a comedic and extravagant way. The song sung by Elder Price was vocally outstanding, yet one of the funniest numbers I have ever witnessed. It was now where Hitler, Jeffery Dahmer and other historically evil people appeared on stage, I knew the show had tad taken a turn. The religious guilt Elder Price faced was a combination of parody and an extravagant musical sceptical.

Thus, leads me to conclude that The Book of Mormon performed in the Price of Wales Theatre, April 2025, was a show that will be permanently ingrained in my brain. I left with a sore belly from laughter and fulfilment. I believe instead of telling people to “only watch this show if you can handle satirical boldness,” I will suggest watching this show if you fancy a giggle with great musical numbers, it was truly a night to remember.

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