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The Tomorrow Question

When the Future is Not Certain: Can Humanity Still Move Forward?

By Water&Well&PagePublished about a month ago 4 min read

Alfonso Cuarón’s *Children of Men* (2006) is a film about the future, yet the issues it addresses are deeply relevant to the present world. The story takes place in 2027, where humanity has been unable to conceive for 18 years due to an unknown cause. The world is on the brink of collapse. Governments maintain military rule, suppressing unrest and treating refugees as the source of social instability. In this world without continuance, a woman named Kee unexpectedly becomes pregnant, turning her into humanity's last hope. Theo, a man disillusioned with the world, is forced onto a journey to escort and protect her.

This film lacks traditional heroics or dazzling future technology. Instead, it offers a profound exploration of social issues, personal choices, and the essence of humanity. It forces us to ask: When the future disappears, does humanity still have hope?

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### The Breakdown of the World: Society Without a Future

While the film's setting is futuristic, the world it portrays is strikingly realistic.

* **Extreme Government Response:** To maintain order, the state becomes increasingly autocratic, restricting freedom and even deporting or slaughtering refugees merely to keep society "stable."

* **The State of the People:** Most people have given up on the future, choosing to escape reality through drugs, religion, or other forms of comfort.

* **Power Struggles:** Even when the world is teetering on the edge of collapse, people still fight for control. Both the government and resistance groups see their own goals as the "only correct path."

This societal state mirrors many real-world issues. When the international situation is unstable, people become conservative, governments tighten surveillance, and society grows hostile towards outsiders. The world in the film is not just a fictional future; it’s a mirror reflecting the potential human reaction when facing an existential crisis.

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### Theo's Transformation: Can Humanity Choose Hope?

The character of Theo is a typical bystander. He was once an idealist, but years of failure and personal trauma have left him cold and without any expectations for the world. His life is filled with mechanical routines; he drinks, mocks everything, and tries to maintain distance from the crumbling world.

However, upon discovering Kee's pregnancy, he is forced to reconsider his stance. What does Kee's pregnancy mean? Is she just another person in need of help, or is she the world's real turning point? Theo faces a choice:

1. **Continue his indifference**, letting the world develop according to its predetermined collapse.

2. **Attempt to protect Kee**, even if he can't be sure it will change the world.

His choice is not merely about helping Kee, but a fundamental shift in his own outlook. He begins to believe that even if the world has no certain future, people can still choose to do the right thing. This change doesn't come from some grand revelation, but from a simple fact—if no one is willing to act, then the world truly has no future.

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### Power and Exploitation: The Significance of Kee

Kee's pregnancy should be a joyous event, but in this world, it becomes a battle for control:

* The **government** wants to control her because her child represents the possibility of restoring order.

* The **Fishes** (the resistance group) want to exploit her, using the baby as a symbol for their revolution.

* Theo chooses to **protect her** rather than hand her over to any faction.

This reveals a critical issue: When humanity faces a crucial opportunity, society often chooses conflict over cooperation. Even at this late stage, many people still attempt to define hope through power, rather than letting hope arise naturally.

Kee has almost no voice in this struggle. She is merely a vessel carrying the future, yet she lacks genuine agency. This also reflects how, in the real world, many historical turning points are disconnected from individual will and manipulated by greater political forces.

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### Visual Style and Immersion

The film's visual style is highly distinctive. Cinematographer Emmanuel Lubezki utilized extensive **one-take shots** (long, unbroken takes), preventing the audience from escaping the film's harsh reality.

Key scenes include:

* **The Car Attack Scene:** The unedited shot makes the audience feel the characters' fear and despair firsthand.

* **The War Scene:** As Theo traverses the war-torn refugee camp, the audience is immersed in the threat of death, as if they are right there on the ground.

* **The Final Ceasefire:** When the baby’s cry rings out, the soldiers briefly stop fighting. In this moment, all the chaos seems to be shattered.

This technique doesn't just narrate the story; it forces the audience to directly feel the characters' helplessness and struggle, intensely amplifying the film's emotional power.

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### The Open Ending: Is Hope Real?

In the film’s conclusion, Kee and the baby are adrift at sea when a boat named the ***Tomorrow*** appears through the fog. Is this a genuine rescue, or merely a vague symbol of the future? The film offers no definitive answer, but this is precisely where its strength lies.

The ending allows the audience to interpret:

* If the ***Tomorrow*** is real, humanity might indeed have a future.

* If the ***Tomorrow*** is just a symbol, the world’s future remains uncertain.

But no matter the answer, Theo's choice has changed everything. His action proves that hope does not come from a certain outcome, but from the person willing to choose to act for the future.

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### Conclusion

*Children of Men* is an unconventional science fiction film. Its core lies not in technology or adventure, but in a profound question about the human condition:

* If the future becomes uncertain, should people still choose to believe in hope?

* When the world descends into chaos, does individual action still hold meaning?

* How should we face a seemingly hopeless future?

The film doesn't provide answers; it leaves the decision to the audience. But it conveys a vital concept—**hope is not a guaranteed result, but a choice.** Even as the world collapses, humanity can still choose to act, choose to believe, and choose to move forward. This, perhaps, is the most important message the film wants to share with us.

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About the Creator

Water&Well&Page

I think to write, I write to think

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