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The Woman Who Texted After Her Own Death

The Woman Who Texted After Her Own Death

By hiteshsinh solankiPublished 10 months ago 6 min read
The Woman Who Texted After Her Own Death
Photo by Boston Public Library on Unsplash

The flickering neon sign of the 'Late Night Diner' cast long, distorted shadows across the rain-slicked asphalt. Inside, the air hung thick with the aroma of stale coffee and fried onions, a familiar comfort to those who sought refuge in its solitude. I sat in a booth, the vinyl cold against my skin, staring at the headline on my phone: "Local Woman Declared Dead, Sends Text Messages Post-Mortem."

It was a sensationalist headline, the kind that usually ended up as a fleeting internet curiosity. But this one had me hooked. I was a freelance journalist, and while I usually covered city council meetings and local art exhibits, the bizarre had a way of pulling me in.

The deceased was Clara Evans, a 32-year-old librarian. The official report stated she’d died in a single-car accident on a deserted stretch of highway. But then came the texts.

The first one arrived at her sister's phone, just hours after the coroner's report was filed. "I'm cold," it read. Then, another: "The road is dark." And then, a string of seemingly random numbers and letters.

I had to admit, the story had all the right ingredients to pique my interest. The sudden death, the mysterious texts, the small-town setting where gossip spread like wildfire. I decided to start with Clara's sister, Emily.

Emily lived in a modest house on the outskirts of town, the kind with a neatly trimmed lawn and a swing set in the backyard. She answered the door, her eyes red and swollen, a mix of grief and exhaustion etched on her face.

"I don't understand it," she said, her voice trembling. "They said it was an accident. But then, the texts… it's like she's trying to tell me something."

She showed me the texts on her phone. They were cryptic, unsettling. I noticed the timestamps. They were sent from Clara’s phone, but the phone itself was recovered from the wreckage, its screen shattered and its internal components damaged.

"The police said it could be a glitch, a malfunction," Emily continued, "but it feels… personal. Like she's reaching out."

I asked her about Clara. What kind of person was she?

"She was quiet, kind," Emily said, a faint smile touching her lips. "She loved her books, her garden. She was always helping people. She volunteered at the local soup kitchen every week. She was very interested in her Welsh heritage, and often spoke of the legends and stories passed down through our family."

The mention of Welsh heritage sparked a thought. Wales, with its rich history of folklore and mysticism, was a land of ancient tales and hidden meanings. Could there be a connection?

I decided to investigate the crash site. The highway was a desolate stretch of asphalt, flanked by dense woods. There were no skid marks, no signs of a struggle. The car had simply veered off the road and crashed into a tree.

As I walked along the shoulder, I noticed something glinting in the undergrowth. It was a small, silver locket. I opened it, and inside, there was a tiny, faded photograph of Clara and an older woman, presumably her grandmother. And on the back of the photo, a single word was inscribed: "Afon."

"Afon," I murmured. It meant "river" in Welsh. Could this be a clue? Was there a river nearby?

I consulted a map of the area. A small river, the Afon Lwyd, ran through the woods, a few miles from the crash site. I decided to follow its course.

The river was shrouded in mist, the air damp and cold. The sound of the rushing water was the only sound in the otherwise silent woods. As I walked, I noticed something odd. The trees along the riverbank were marked with strange symbols, carvings that looked ancient and unfamiliar.

I took photographs of the symbols and sent them to a friend, a professor of ancient languages at a nearby university. He replied quickly.

"Those symbols are Ogham," he wrote. "An ancient Celtic alphabet. They were often used for divination and marking sacred places."

Sacred places? Could the river be a sacred site? And if so, what was Clara's connection to it?

I continued along the riverbank, the Ogham symbols growing more frequent. Then, I saw it. A small clearing, hidden deep within the woods. In the center of the clearing, there was a stone circle, its weathered stones standing like silent sentinels.

I felt a chill run down my spine. This was no ordinary place. It felt… charged, imbued with an ancient energy.

As I stood in the circle, my phone buzzed. A new text from Clara’s number. "They're watching," it read.

My heart pounded. Who were "they"? And how was Clara still sending texts?

I decided to delve deeper into Clara's life. I visited the library where she worked. Her colleagues described her as a dedicated librarian, always eager to help patrons find the information they needed.

One of her colleagues, an elderly woman named Mrs. Davies, mentioned Clara's interest in local history.

"She was always researching the old families, the legends," Mrs. Davies said. "She was particularly interested in the stories of the river, the Afon Lwyd."

Mrs. Davies told me about an old legend, a tale of a woman who drowned in the river centuries ago. Her spirit was said to linger, trapped between worlds. The legend spoke of a gateway, a portal to the other side, hidden within the river.

Could Clara have stumbled upon this gateway? Was she trying to warn her sister, to tell her about what she had found?

I returned to the river, the legend echoing in my mind. I examined the stone circle again, searching for any clues. Then, I noticed something I had missed before. A small, almost imperceptible crack in one of the stones.

I pressed on the crack, and the stone moved, revealing a hidden compartment. Inside, there was a small, leather-bound journal.

I opened the journal, and Clara's handwriting filled the pages. She wrote about her research, her fascination with the river, the legends. She wrote about the Ogham symbols, the stone circle, the gateway.

And then, she wrote about the texts.

"I don't know how I'm doing this," she wrote. "But I feel like I'm still here, somehow. I'm trapped, caught between worlds. I need to warn Emily. They're watching. They don't want me to leave."

The "they" Clara mentioned were the ancient guardians of the gateway, spirits bound to protect the portal. They saw Clara as an intruder, a threat.

I realized the texts were not a glitch, a malfunction. They were a desperate attempt by Clara to communicate, to warn her sister, to seek help.

I had to find a way to help her. I had to close the gateway, to free her spirit.

I consulted the journal again, searching for a clue. Then, I found it. A ritual, an ancient Celtic rite, used to seal the gateway. It required a sacrifice, a token of life.

I knew what I had to do.

I returned to the stone circle, the journal in my hand. I followed the instructions, reciting the ancient words, performing the ritual. As I reached the final step, I offered the locket, the token of Clara's life, the photograph of her and her grandmother.

The air crackled with energy, the stones glowing with an eerie light. The gateway shimmered, then vanished, the stone circle returning to its silent vigil.

My phone buzzed. A final text from Clara’s number. "Thank you," it read.

The texts stopped. Clara's spirit was finally at peace. The mystery was solved.

As I walked away from the river, the mist swirling around me, I knew I had witnessed something extraordinary, a glimpse into the unseen world, a reminder that some mysteries are best left undisturbed. The woman who texted after her own death had found her peace, and I had found a story that would forever change my perception of the world.

psychological

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  • Alex H Mittelman 10 months ago

    Wow! I can’t believe she’s STILL texting! Great work!

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