Kantara

In spite of everything, the king, restless, roams the forest and the mountains in search of it. He finally gets peace of mind when he sees the idol of the god worshiped by the tribal people. He gives most of his lands to the tribal people there for the statue. But after a few years, a descendant of the king sues the people in court for the return of their land. 'Can you return the peace I have given you for so long?' As the little deity asks through the father of Rishabh Shetty, the hero of 'Bhutha Gola' dancing (he is also Rishabh Shetty). Then curses the king's relatives and disappears into the forest. A lineal

After that, after 20 years in 1990, the land issue started again. Now through the government! The forest department claims that the villagers have occupied the area illegally by encroaching on the forest. This time, the zamindar who came from the royal lineage stands in support of the people. The story is about how the hero Siva (Rishabh Shetty) defends the rights of the tribal people through deceit, intrigue, twists, and the supernatural.heir of the suing king bleeds to death as if cursed. The land belongs to the people.

Rishabh Shetty has directed and played the lead role in the film Gandhara. Not only in directing, but also in acting. As soon as Kampala makes his entry in the race, he takes first place in the minds of the audience. Rishabh Shetty's body language and facial expressions convey all of this on the screen without any lack of rudeness as an unruly bull when it comes to anger, lightness and childishness when it comes to mother, and lightness and childishness when it comes to love. That and his aggressive performance in the climax is a Rudratandavam that Indian cinema has never seen before.

As a forest officer, Kishore invades the screen with slick body language. The strength of the screenplay is that it is impossible to guess whether he is good or bad.

The heroine Saptami Gowda, who joins the work as a forest employee, shines as an excellent actress in the scenes where she expresses her distress, unable to stand by the government and her people. The love scenes of the hero-heroine are enjoyable even though the script is moving away from the tribal people's customs, profession, dance-song, culture and fighting.

Achyut Kumar has played another important role as Nila Zamindar. He has brought that character to the screen very naturally with an amazing smile.

Another strength of the film is the comedy scenes that burst out laughing here and there. Especially, the semi-serious scenes where the hero often dreams have bursts of laughter at the end. The scene where the police surround and arrest each of the hero's friends, and the scene where they make a sketch to escape from prison, the screenplay also plays comedy in the middle of the game of 'Bootha Gola'. "You came to my house, shouldn't I come to yours?" The dialogues of the film are noticeable at many places starting from the scene questioning caste hatred. The question of the Adi Kudis is who are you to do all these things to stop us, who have been plowing and hunting and living on the same land for years, suddenly claiming it as invasion and blocking us with a fence, banning hunting, etc. That is the question Nayak raises to the government.

Kudos to director and actor Rishabh Shetty for choosing such a plot. Especially, his message in the climax swinging the 'Buddha Kolam' with his hands together is appropriate for all the places where there are such controversies!

Music composer Ajaneesh Loknath has given the sparkling background music not only for the climax but also throughout the film. The music merges with the scene without being alienated anywhere. The culture and tradition of the tribal people are interwoven in everything and his musical composition vividly expresses their overall feelings.

At the same time, the hero's confrontation with the forest officials is initially a build-up but gets boring at some point. As you can easily guess who is going to change his mind and who is going to be a villain, what happens next is not very interesting. The way the scenes unfold on the screen is what sets the plot of the film apart. While that workshop sequence before the climax is brilliantly shot, it's unnecessary hero build-up!

It’s a chance to have a look at a different perspective and how we are open to viewing faith. Watch it with all your friends.