scifi tv
The best science fiction television from every decade.
Review of Somewhere Between 1.4
So how is it that the killer is killed before he kills Laura's daughter Serena on Somewhere Between 1.4 last night, but there's still a harrowing story to be told? Because the killed killer is not the killer, after all. (Or, as is always the case with time travel, maybe he was but someone changed history so he no longer is.)
By Paul Levinson8 years ago in Futurism
Review of Twin Peaks: The Return 1.13
Twin Peaks may not always be comprehensible or comprehendible (well, almost never), but it's always good for a laugh, with a variety of visual, acoustic, and linguistic punchlines, and just some good old-fashioned gags (and I don't just mean scenes that make you feel like gagging).
By Paul Levinson8 years ago in Futurism
Review of Somewhere Between 1.3
The most significant development in Somewhere Between 1.3 last night was Laura's husband Tom, and his collection of evidence pertinent to the murders — collection apparently out of the legal process, kept at home, and reported by Tom to some unknown person via text message.
By Paul Levinson8 years ago in Futurism
Review of Twin Peaks: The Return 1.12
A slightly subdued Twin Peaks: The Return 1.12 last night, with no song at the end. I mean, there was a three-piece band on the stage at the end, as the credits eventually rolled, and they were playing something, but it wasn't a song. It could have been the beginning of a song which never actually started (uh oh). It could have been an accompaniment to something. But I don't think it was a song. I don't think it was an instrumental—certainly no "Green Onions" or "Flying."
By Paul Levinson8 years ago in Futurism
Review of Westworld 1.8
Much revealed in this excellent episode 1.8 of Westworld. Probably the most important: there are two kinds of programs afoot in Westworld, two kinds of stories (or two kinds of kinds of stories, to be more precise): Ford's and Arnold's. Ford's we pretty much know—though not the new story he keeps talking about—and Arnold's not much or any of it at all.
By Paul Levinson8 years ago in Futurism
Top 10 Sci-Fi Television Series
Sci-fi brings us elements like imagined futures, space travel, advanced technologies and life on faraway planets. A sci-fi television series allows us to see that there’s much more to the story. Week after week, we have the opportunity to get to know the characters and the story itself in far more depth and detail, which has peaked interest and introduced a whole new audience to the science fiction genre. Hell, there's an entire cable network devoted to sci-fi TV. The following sci-fi television series are some that paved the way to make the science fiction genre more popular than ever.
By Kelly Hawks8 years ago in Futurism
Review of Westworld 1.7
"I don't wanna be in a story," Dolores says to William, who later provides the best possible Westworld answer, telling Dolores the life he's been living outside is a lie, and the most truth he's ever known is in Westworld with her. (Note that in this sentence, the italics denote the series, and the name Westworld denotes the place in the series.)
By Paul Levinson8 years ago in Futurism
Review of Westworld 1.6
An outstanding Westworld 1.6 -- the series gets better and better, Isaac Asimov (author of the three later four laws of robotics would've loved it) -- and in this episode jumps into some of the real paradoxes and ethical quandaries of artificial intelligence.
By Paul Levinson8 years ago in Futurism
Review of Westworld 1.4
"Vacation" — it was the name of a Connie Francis song in the early 1960s (Wikipedia says 1962, and that it was Connie's last big hit, and I remember hearing and singing it in high school), and it was probably the most important word spoken in Westworld 1.4.
By Paul Levinson8 years ago in Futurism
