The Library Beneath the Lake
Where Lost Stories Whisper and Time Waits to Listen

It was midsummer when Mira arrived at the village of Eldenmoor, a forgotten dot on the map where mist never left the lake and the moon seemed to rise too early. She came for quiet—a break from city noise, the overthinking, the digital clocks, the endless scrolling. What she found was a place that seemed half-asleep, as if it had fallen into a dream long ago and never woken up.
The villagers were kind, but distant. They offered her apples from their gardens, nodded politely, and said very little. But there was one thing they all agreed on: “Don’t go near the lake after dusk.”
Of course, she did.
It wasn’t rebellion; it was curiosity. The lake was breathtaking, framed by ancient willows whose limbs dipped into the still water like fingers lost in thought. It didn’t shimmer—it pulsed. On the third evening, when the sun spilled gold across the treetops, Mira stepped beyond the fence and down to the shore.
The mist rolled in silently, thick as memory. As she sat near the reeds, the surface of the lake trembled. She leaned closer.
That’s when she saw it.
Below the mirrored surface, deep but clear, stood a grand building—columns of stone, a dome made of stained glass, endless rows of what looked like shelves. A library. Beneath the water.
She blinked. It was still there.
She ran back, heart hammering, and asked the innkeeper—a gray-haired woman named Elswith—about it. The woman’s face tightened. “That place is not meant for the living,” she said. “It appears only to those whose stories are unfinished.”
Mira laughed nervously. “Everyone’s story is unfinished.”
“No,” Elswith said softly. “Only some are lost.”
That night, sleep evaded Mira. At 2:47 AM, as if called by a dream too loud to ignore, she returned to the lake. The water was glowing faintly. She stepped in.
It wasn’t cold. It wasn’t wet.
She passed through the surface like mist through moonlight.
And suddenly, she stood inside the Library Beneath the Lake.
The shelves stretched endlessly, carved from coral and dark wood. Floating candles lit the vast hall. Books whispered as she passed—gentle murmurs, half-thoughts, memories pressed between pages. Each book had a name, and each name was a life. She reached for one titled Mira Ellison. Her fingers trembled.
Inside were things she had forgotten—her fifth birthday when her father gave her a music box; the time she almost drowned and felt strangely peaceful; the journal she had lost when she moved cities. All there. As if the book had always been watching.
A shadow appeared—tall, robed in starlight and deep sea-blue.
“You’ve come,” it said.
“Where am I?” she asked.
“This is where the unfinished come. This library holds every story that lost its way—forgotten dreams, untold poems, abandoned love letters, broken plans.”
Mira looked around. “So many.”
“Yes. The world loses more stories than it remembers.”
She paused. “Why mine?”
The figure leaned closer. “Because you stopped writing it.”
She thought of the life she left behind. Her job she didn’t love. Her novel she never finished. Her father’s calls she never returned. The joy she once had in painting, singing, walking in the rain—things she had put away like old shoes.
“I don’t know how to begin again,” she whispered.
“Then listen,” the figure said, and vanished.
Suddenly, the shelves glowed. Pages fluttered. The library began to hum. She could hear voices—her own as a child, reading aloud; her grandmother’s lullaby; the sound of typewriter keys; the soft click of a camera shutter. A symphony of her forgotten self.
And then—light. Blinding, warm, eternal.
Mira woke up on the shore.
The mist had cleared.
Birds chirped.
In her lap was a soaked, leather-bound book. Mira Ellison, it read.
She took it back to the inn and began to write.
From that day forward, Mira was different. She smiled at the sky. She painted again. She called her father. She wrote page after page—not to be published, not to impress, but to remember. To finish what was left inside.
Years passed.
She returned often to the lake, though she never saw the library again. But sometimes, on the stillest of days, when the mist sat quietly like an old friend, she heard the faint fluttering of pages deep beneath the water—stories waking, waiting, whispering.
About the Creator
Laiba Gul
I love stories that connect and reveal new views. Writing helps me explore life and share real, relatable tales across many genres, uncovering hidden beauty and truth


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