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The Letter That Was Never Sent

A story about unfinished words and the courage to let them rest

By Mehwish JabeenPublished 7 days ago 2 min read
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The letter lived in the bottom drawer for eleven years.

It was folded carefully, as if someone might open it at any moment, though no one ever did. The paper had softened at the creases. The ink had faded just enough to suggest patience rather than neglect.

Sara knew exactly where it was.

She also knew she would never send it.

The drawer belonged to a small desk by the window, one she had carried with her through three apartments and a marriage that did not survive. She told herself the desk was useful. The truth was simpler. The letter needed a place.

She had written it on a winter afternoon when silence felt heavier than words. Outside, the city moved without noticing her pause. Inside, she sat with a pen and told herself she would be honest.

The letter was addressed to Amir.

They had not ended badly. That made it worse.

Life had simply shifted direction, quietly, the way tides do. No betrayal. No dramatic goodbye. Just a gradual understanding that what they were building required more of them than either could give.

The letter said everything she hadn’t said then.

It explained her fear of being chosen and then expected. It admitted how often she confused independence with distance. It apologized without asking for forgiveness.

It ended without asking for a reply.

Over the years, Sara thought about destroying it.

She never did.

Some letters are not written to be delivered. They are written to keep a part of us from hardening.

Time passed. Sara’s life became full in acceptable ways. Work, responsibilities, conversations that stayed on the surface. People described her as reliable. Calm. Self-contained.

They were not wrong.

Still, the letter waited.

One evening, while reorganizing the desk, Sara found it again. She unfolded it carefully, as if the paper could feel her touch.

The words surprised her—not because they were unfamiliar, but because they no longer felt urgent.

They felt accurate.

She realized then that the letter had already done its job.

It had held the truth while she learned how to live with it.

That night, Sara walked to the river with the folded pages in her coat pocket. The water moved steadily, unconcerned with her timing.

She didn’t reread the letter.

She knew it by heart.

She tore it once, slowly, then again, until the pieces were small enough to let go. She dropped them into the current and watched them disappear without ceremony.

There was no rush of relief. No dramatic release.

Only a quiet sense of completion.

The next morning, Sara woke early and opened the window. The city felt slightly different—not transformed, but more breathable.

She returned the desk drawer to its place, empty now, and closed it without hesitation.

Some endings do not require witnesses.

They only require willingness.

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