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The Lantern of Lethe

A story about what we choose to remember and what we refuse to repeat

By Karl JacksonPublished 3 months ago 6 min read

The first night of the Lantern Festival always made the village smell like burning pine and nostalgia. Every October, when the moon rose fat and silver over the rice fields, families gathered by the river to honor the dead. They wrote wishes or apologies on small slips of rice paper, tucked them into lanterns, and let the current carry them away. It was supposed to be beautiful. Healing, even.

But not for Mara.

She stood on the riverbank clutching her unlit lantern like it might explode in her hands. Around her, people murmured prayers, their faces glowing orange in the candlelight. Children giggled as their lanterns drifted downstream. The air shimmered with a thousand tiny suns.

Her grandmother’s voice echoed in her mind: “When the living remember, the dead find rest.”

Mara hadn’t come last year. Or the year before that. She’d stopped attending the moment her brother’s name became one of the whispered ones.

Tonight, her mother had begged. “It’s time,” she’d said softly, holding the lantern out with trembling hands. “He deserves to be remembered.”

But how do you honor someone who stole your light before they lost their own?

The Ritual She Refused

Three years ago, Elias had been the golden one. The brother everyone adored, the son who never disappointed, the one who made even the gods jealous with his charm. Until the accident.

A drunk driver, they said. But the truth was harder to bury. Elias wasn’t hit by a stranger; he’d been the one driving. He’d been drunk. The crash had taken their father’s life and left a hollow space in every corner of their home.

The town whispered forgiveness like it was an easy thing. But Mara couldn’t do it. She refused the ritual of letting go, refused to write his name on a lantern, refused to play along with the lie that some fire and paper could wash away what he’d done.

Yet here she was, standing at the edge of the Lethe River—how fitting that it shared a name with the mythical one that erased memory.

Her lantern was still blank.

The Stranger at the Water’s Edge

“Need a light?”

The voice startled her. A young man, maybe her age, was crouched by the water. He held a candle between his fingers like it was a secret. His face was pale, his eyes soft but searching.

“I’m not lighting it,” she said.

He tilted his head. “Then why are you here?”

Mara didn’t know how to answer that. She could have said “for my mother,” or “for closure,” or “because guilt looks worse under fluorescent kitchen lights.” Instead, she shrugged.

He smiled, faint and knowing. “Sometimes refusing the ritual is the ritual.”

“What’s that supposed to mean?” she asked.

He picked up a lantern of his own and set it gently into the current. “Everyone here is pretending they’re ready to let go. But most of them are just trying to convince themselves they can.”

Mara studied his face, but there was something unplaceable about him. Familiar in the way a recurring dream feels familiar—something that lingers in the subconscious even after waking.

“What did you write on yours?” she asked.

“Nothing,” he said. “Not everything needs words.”

The River That Remembered

As the lanterns floated downstream, the river shimmered like a trail of fallen stars. People whispered their goodbyes into the night, voices blending with the rustle of water and wind.

Mara’s mother stood a few feet away, her face streaked with tears. “Please, Mara,” she whispered. “Just one word. For him. For peace.”

Mara’s fingers trembled as she picked up the brush. She stared at the blank paper until her vision blurred. What could she possibly write? “Forgive you”? “Miss you”? “Why?”

The stranger’s voice came again, low and certain. “Write what you can’t say.”

Her hand moved on its own. When she was done, the word was simple. Four letters. The one she’d never said the night of the crash.

“Stay.”

She folded the paper into the lantern, lit the small candle, and placed it on the surface of the river. For a moment, it hesitated, spinning slowly, as if deciding whether to go forward or sink. Then it drifted away, joining the constellation of light moving toward the horizon.

Mara felt the strangest ache in her chest—like relief dressed as sorrow.

The Secret Beneath the Flame

When she turned to thank the stranger, he was gone. Only his candle remained, flickering by the waterline.

She bent to pick it up and noticed something carved into the wood beneath the wax. Her breath caught. It was a single word—her own name.

The air went still. The laughter, the prayers, the music—all muted. Even the river seemed to pause.

And then she saw him again—far downstream, standing ankle-deep in the current, his outline framed by moonlight. Elias.

Her brother.

He looked exactly as she remembered him that night: wet hair, that same reckless smile that had once infuriated her. But his eyes were soft now, unguarded. He raised his hand, and for the first time in years, she didn’t feel anger. She felt something like release.

“I stayed,” his voice whispered on the wind.

The lantern carrying her word flared bright for an instant, then went dark.

What the River Keeps

Later that night, when the festival ended and the last lantern disappeared into the distance, Mara stayed behind. The stars above looked like more lanterns, scattered across the universe, each one carrying a secret wish.

She knelt by the riverbank and whispered, “I forgive you.”

The current rippled, almost in response. Somewhere in the distance, a heron cried—a lonely, beautiful sound.

When she turned to leave, the candle she had found earlier flickered back to life on its own.

The Return of the Ritual

A year passed.

The next Lantern Festival came, and this time Mara arrived early. She carried two lanterns instead of one. One for Elias, one for her father.

As she set them down on the bank, she noticed the same stranger—or maybe not quite the same—helping others light their lanterns. When their eyes met, he nodded once, like someone acknowledging a shared truth.

Mara smiled, lit her candles, and placed the lanterns in the river. They floated side by side, neither leading nor following, both glowing steady against the dark.

Around her, the festival hummed with quiet joy. For the first time, the firelight didn’t sting. It warmed.

And as the lanterns drifted away, she whispered the new word she had written this year:

“Remember.”

The End of Forgetting

In the months that followed, Mara began to visit the river often. She brought no lanterns, no candles—just herself. Sometimes she’d watch the water and imagine it was carrying everyone’s unspoken words: apologies, regrets, promises. Other times, she’d swear she heard laughter echoing faintly through the rush of the current—Elias’s laugh, bright and whole.

The ritual no longer felt like a performance. It felt like an understanding. The dead don’t need our perfection, just our honesty.

And maybe that was the real point all along.

That night, as the final lantern disappeared into the dark horizon, Mara took out her phone and snapped a picture—not of herself, but of the river, alive with light.

She didn’t post it. Didn’t caption it. She just kept it.

Proof that remembering doesn’t always mean reliving. Sometimes it just means refusing to forget.

FAQ

Q: What inspired the Lantern Festival in this story?

A: It was inspired by real traditions like Japan’s Toro Nagashi and Thailand’s Loi Krathong, where floating lanterns symbolize remembrance and release.

Q: What does the river symbolize?

A: The river represents both memory and forgetting—the constant flow between holding on and letting go.

Q: Why did Mara’s brother appear at the end?

A: His appearance serves as closure, suggesting forgiveness can bring peace to both the living and the dead.

Q: What is the meaning behind the words “Stay” and “Remember”?

A: “Stay” represents grief’s plea to hold on; “Remember” represents acceptance and peace through acknowledgment.

Fan Fiction

About the Creator

Karl Jackson

My name is Karl Jackson and I am a marketing professional. In my free time, I enjoy spending time doing something creative and fulfilling. I particularly enjoy painting and find it to be a great way to de-stress and express myself.

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