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The House at the End of Hawthorn Lane

Behind the Tall Fence

By Anthony ChanPublished about 2 hours ago 4 min read
Speial Thanks to Theo Lonic for this Picture on Unsplash.com

Gail Sullivan’s house sat like a sealed envelope at the end of Hawthorn Lane, addressed to no one and opened by none. The curtains never moved. The gate never creaked. After her husband died—suddenly, mysteriously—Gail withdrew behind the tall fence that ringed her property and never crossed it again. The neighborhood filled the silence with its own explanations. They said she had learned of his betrayal and answered it with precision, increasing the dosage of his daily medications until his heart complied. They noted her grief had sharpened into something dark.

The whispers hardened when children began appearing at her door. They were always small, always thin, always quiet. Neighbors would glimpse them entering through the side entrance in the late afternoon. Then, days or weeks later, they were gone. No moving vans. No tearful goodbyes. No new families. The children vanished, and Hawthorn Lane decided that Gail Sullivan was not merely grieving but dangerous. Some said the backyard—large, shadowed, sealed by a fence too high to see over—held answers that no one would ever speak aloud.

Dexter Johnson tried to ignore the gossip. He had lived on Hawthorn Lane for forty years and believed he had earned the right to peace. But rumor has a way of pressing against the mind, especially when it grows bold. When he heard someone suggest, half-joking and half-afraid, that children were buried under her roses, something inside him forced him into action. He convinced himself that he needed to act out of civic duty and decency to put an end to his neighbor’s madness!

Surveillance

Dexter watched the house. He noted the deliveries—groceries, books, art supplies, and medical equipment. He noticed the gardener who came twice a week and the cleaning service that arrived on a strict schedule. He saw, too, the precision with which some children left always after midnight, always into waiting cars with out-of-state plates. No lights. No noise. The choreography of secrecy convinced him that something terrible was being concealed.

Dexter decided to confront her by paying her an unscheduled visit!

Gail answered the door herself, composed and gray-haired, her eyes clear and steady. She did not ask why he had come. She invited him in as if she had been expecting him all along.

Was this part of her plan to kill him as she had done with her husband?

What shocked him first was not guilt, but order. The house was immaculate, not sterile, but lived in with care. Sunlight spilled across polished floors. Shelves overflowed with books. Framed photographs lined the walls—children smiling in graduation caps, standing beside dormitories, holding acceptance letters. The air smelled of bread and lemon oil.

“You’re looking for bodies,” Gail said calmly, leading him into a bright kitchen. “You won’t find any.”

Dexter felt his rehearsed accusations dissolve. He followed her through rooms that contradicted every story he had believed. Bedrooms prepared for children—warm quilts, desks, lamps, stacks of notebooks. A music room. A library. A sunroom where plants thrived.

“They come to me broken,” she said. “Hungry. Afraid. I help them heal. When they are strong, I send them where they can become who they choose to be.”

She showed him letters. Emails. Zoom schedules are taped neatly beside a calendar. The children did not disappear. They departed—quietly, deliberately—because anonymity protected them, and her.

Moment of Truth

“And your husband?” Dexter asked at last.

Gail’s composure faltered only slightly. She sat, folded her hands, and told him the truth. The woman everyone believed was my husband’s mistress had been his closest colleague, a lesbian whose loyalty had nothing to do with desire. His betrayal, if it could be called that, was toward his own body. Sixty- and eighty-hour weeks. Stimulants to extend the day. Medication layered upon medication to restrain a heart that begged him to stop. His doctor had warned him. Gail had begged him. In the end, he had taken too much of everything, trying to survive a life that was spiraling out of control.

“I didn’t poison him,” she said quietly. “He poisoned himself. And I was left with love that had nowhere to go.”

Dexter returned the next day. And the next. He came with questions, then with groceries, then with silence that felt companionable rather than accusatory. Over time, Gail began to speak of loneliness not as a wound but as a landscape she had learned to navigate. Dexter spoke of his own losses, his own long habit of endurance.

What began as an investigation became intimacy. Dexter saw how carefully Gail loved—how she fed it, structured it, and released it without demanding return. He saw the cost of living behind a fence built to keep others out and her pain contained.

One evening, as they sat on the porch watching dusk settle over the yard everyone feared, Dexter reached for her hand. She did not pull away.

They began with small steps. A walk beyond the gate. Coffee at a café two streets over. A train ride to a neighboring town. Each venture widened the world just enough to let light in without overwhelming her. The fence remained, but it no longer defined her life.

Hawthorn Lane never learned the truth. But, truth, Gail discovered, did not require witnesses. With Dexter beside her, she stepped back into the world she had survived, not bitter, but open again—proof that love, even when misunderstood, has a way of surviving through the darkest moments of our lives!

MysterythrillerLove

About the Creator

Anthony Chan

Chan Economics LLC, Public Speaker

Chief Global Economist & Public Speaker JPM Chase ('94-'19).

Senior Economist Barclays ('91-'94)

Economist, NY Federal Reserve ('89-'91)

Econ. Prof. (Univ. of Dayton, '86-'89)

Ph.D. Economics

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