
Langley Institute was meant to be forgotten—a government-funded research library shut down in 1979 after a fire no one could explain.
Decades later, Dr. Emilia Ward, a meticulous historian with no patience for fiction, was granted clearance to archive what remained. She descended alone into the basement, where the fire hadn’t touched, but time had warped everything. Dust moved without wind. Fluorescent lights flickered in rhythm, as if waiting.
Then she found them: reels of tape labeled "Project Oracle". Each marked with a warning: Do not play. Not even once.
She laughed—then played one.
A hiss. A low murmur. Then: “Hello, Emilia.”
She froze. The voice knew things—her sister’s lullabies, the exact shade of her mother’s funeral dress. It spoke her regrets, one by one, until her tears blurred the room. She ripped out the tape.
But she had listened.
Days passed. Language around her twisted. Her team quit, one by one—nosebleeds, panic attacks, seizures. Emilia remained, humming the tape’s voice in her sleep. She began cataloguing voices no one else could hear.
When authorities broke in, the basement was empty. The tapes were melted, fused to the walls.
Only one message was found, scrawled across the floor in ash:
“The archive is complete. She listens still.”
Langley was sealed again. But sometimes, late at night, passersby say they hear it humming.
If you stop and listen closely...
It learns your name.
About the Creator
Wares Hossain
Writer and storyteller sharing insights, ideas, and personal reflections. I aim to inform, inspire, and spark conversation



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