
MRS. MOONEY was a butcher's daughter. She was a woman who was
quite able to keep things to herself: a determined woman. She had
married her father's foreman and opened a butcher's shop near Spring
Gardens. But as soon as his father-in-law was dead Mr. Mooney began to
go to the devil. He drank, plundered the till, ran headlong into debt. It
was no use making him take the pledge: he was sure to break out again a
few days after. By fighting his wife in the presence of customers and by
buying bad meat he ruined his business. One night he went for his wife
with the cleaver and she had to sleep a neighbour's house.
After that they lived apart. She went to the priest and got a separation
from him with care of the children. She would give him neither money nor
food nor house-room; and so he was obliged to enlist himself as a
sheriff's man. He was a shabby stooped little drunkard with a white face
and a white moustache white eyebrows, pencilled above his little eyes,
which were veined and raw; and all day long he sat in the bailiff's room,
waiting to be put on a job. Mrs. Mooney, who had taken what remained of
her money out of the butcher business and set up a boarding house in
Hardwicke Street, was a big imposing woman. Her house had a floating
population made up of tourists from Liverpool and the Isle of Man and,
occasionally, artistes from the music halls. Its resident population was
made up of clerks from the city. She governed the house cunningly and
firmly, knew when to give credit, when to be stern and when to let things
pass. All the resident young men spoke of her as The Madam.
Mrs. Mooney's young men paid fifteen shillings a week for board and
lodgings (beer or stout at dinner excluded). They shared in common
tastes and occupations and for this reason they were very chummy with
one another. They discussed with one another the chances of favourites
and outsiders. Jack Mooney, the Madam's son, who was clerk to a
commission agent in Fleet Street, had the reputation of being a hard
case. He was fond of using soldiers' obscenities: usually he came home in
the small hours. When he met his friends he had always a good one to tell
them and he was always sure to be on to a good thing-that is to say, a
likely horse or a likely artiste. He was also handy with the mits and sang
comic songs. On Sunday nights there would often be a reunion in Mrs.
Mooney's front drawing-room. The music-hall artistes would oblige; and
Sheridan played waltzes and polkas and vamped accompaniments. Polly
Mooney, the Madam's daughter, would also sing. She sang:
I'm a ... naughty girl.
You needn't sham:
You know I am.
Polly was a slim girl of nineteen; she had light soft hair and a small full
mouth. Her eyes, which were grey with a shade of green through them,
had a habit of glancing upwards when she spoke with anyone, which
made her look like a little perverse madonna. Mrs. Mooney had first sent
her daughter to be a typist in a corn-factor's office but, as a disreputable
sheriff's man used to come every other day to the office, asking to be
allowed to say a word to his daughter, she had taken her daughter home
again and set her to do housework. As Polly was very lively the intention
was to give her the run of the young men. Besides young men like to feel
that there is a young woman not very far away. Polly, of course, flirted
with the young men but Mrs. Mooney, who was a shrewd judge, knew
that the young men were only passing the time away: none of them
meant business. Things went on so for a long time and Mrs. Mooney
began to think of sending Polly back to typewriting when she noticed that
something was going on between Polly and one of the young men. She
watched the pair and kept her own counsel.
Polly knew that she was being watched, but still her mother's persistent
silence could not be misunderstood. There had been no open complicity
between mother and daughter, no open understanding but, though people
in the house began to talk of the affair, still Mrs. Mooney did not
intervene. Polly began to grow a little strange in her manner and the
young man was evidently perturbed. At last, when she judged it to be the
right moment, Mrs. Mooney intervened. She dealt with moral problems as
a cleaver deals with meat: and in this case she had made up her mind.




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