As is the Nature of Worlds
A Submission to the "Microfiction Magic" Challenge
Worlds are pleasing to create. Once assigned a world, an Architect uses pure essence to create their design. An essence purer than any celestial in the verse.
Architects mustn't stay. As is the nature of things, they leave their creation. This world spins, grows. It's beings blossom.
Then the Shepherd arrives, watching over the created. Guiding and nurturing these beings. A teacher.
Somber, when the shepherd leaves. This weeping construct makes a choice. Do they ascend? Or, do they fall. Fall in deafened screams to those above, watching another world consume itself. As is the nature of things.
About the Creator
J.D. Brooks
Writer of Horror, Sci Fi, Fantasy and Fiction
Probably has an opinion on everything
- Check out my ebook on Amazon! "Tales of Frights and Fears" https://www.amazon.com/dp/B09K3XH1KP
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More stories from J.D. Brooks and writers in Fiction and other communities.
Memoirs in the Sand
A man stands near a palm tree. He looks out across the ocean. Behind him resorts spread out with only the sand to hold back the encroaching cement. The man fumbles with a hair tie in his hand. Red with spots of white, the hair tie feels worn in his hand. The constant kneading taking its toll. The man sighs and pockets the hair tie.
By J.D. Brooks3 years ago in Fiction
The Inferno Elixir: A Legacy of Blood
1. The Sinister Stillness of the Village My grandfather had always been an enigmatic man, but in the last three years, his eccentricity had crossed into something far more unsettling. He lived alone in a secluded house far from the city’s clamor, tucked away in a village perpetually choked by mist. We assumed he was merely grieving the loss of my grandmother and his lifelong friend, but his gaze hid something deeper than sorrow—a secret that was slowly devouring his soul. During my last visit, I was struck by the sight of his refrigerator; it was grotesquely overstuffed with heaps of raw meat. He claimed with a cold detachment that it was for the poor, but his face betrayed the lie. Even more disturbing was the reinforced steel door he had installed in the basement, from which a foul stench seeped through the cracks—a smell like a carcass that refused to stay buried. 2. A Descent into the Abyss Late that night, I took advantage of my grandfather’s heavy sleep. With trembling fingers, I pilfered a modern, sophisticated key from his cabinet. I descended the decaying stairs into the basement, my flashlight cutting through the oppressive gloom. The air there didn't just smell of rot; it smelled like a slaughterhouse. Dry bloodstains smeared the walls, and in the corners lay bleached-white human skeletons. I approached the reinforced room and peered through a tiny peephole. The blood froze in my veins. A gaunt creature, its bones protruding obscenely from its skin, stood there. Its hair was so long it trailed behind it like a shroud. It moved on all fours with a demonic fluidity. Suddenly, its eyes—completely white—locked onto the hole. It wasn't looking at me; it was scenting me. 3. The Bitter Truth Before I could flee, I felt the sharp sting of a needle in my neck. The world dissolved into darkness. I awoke inside a hermetically sealed glass chamber. My grandfather stood on the other side of the glass, weeping bitterly as he recounted the catastrophe: > "Three years ago, your grandmother was on the brink of death. A stranger with non-human features knocked on my door and gave me a dark red elixir, claiming it was the salvation. I injected her, but she transformed into this ravenous monster. I killed my oldest friend and fed him to her just to protect her secret. I love her, Alex, and I cannot let you leave to expose the truth of her 'death' to the world." > 4. The Banquet of Blood The glass barrier began to rise slowly, and the monstrosity crouched, ready to pounce. Suddenly, a scream pierced the silence. My younger brother, Thomas, had followed me. With a heavy blow from a sharp tool, he struck our grandfather, sending him sprawling into the room. In a moment of primal madness, the creature lunged at my grandfather, tearing into his flesh with unspeakable ferocity. Thomas and I fled, the screams echoing behind us, until the police arrived and ended the nightmare with a hail of bullets into the body of what was once my grandmother. 5. The Vicious Cycle A year has passed since that night, and I thought I had survived. But fate plays a cruel game. It is now the anniversary of my grandfather’s death, and my brother Thomas is wasting away from a rare, terminal illness. Last night, amidst the darkness, a stranger knocked on my door—matching the exact description my grandfather once gave. He placed a small box in my hand containing a vial of dark red liquid and hissed into my ear: "This is the only cure for your brother." The stranger vanished as if he never existed. I analyzed the liquid in a lab, and the results were bone-chilling: "A substance extracted from an unknown biological entity, non-existent in any natural record." I hold the vial in my hand now, looking at my pale brother, hearing the echo of my grandfather’s voice in my head. Do I repeat the tragedy? Do I begin a new massacre in the name of love? The elixir is before me, and hell is waiting just behind the door. Would you like me to create a "Book Cover" style description for this story, or perhaps suggest a sequel?
By Mayar Younesabout 10 hours ago in Fiction
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