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A Guide to Surviving Late-Stage Fairy Tales

Because even once upon a time runs out eventually

By Alain SUPPINIPublished 5 months ago 3 min read

First, you must accept a simple truth: we’ve passed the golden age of magic.

The castles still stand, but only because the Tourism Board decided they were “heritage properties” too expensive to demolish. They’ve been retrofitted with escalators, Wi-Fi, and a gift shop at every turret. The moats are chlorinated now, “for hygiene and brand image.” The guards wear armor in the style of the old days, but it’s made of lightweight plastic for comfort, and the swords are strictly for photo opportunities.

The dragons? Oh, they’re still around. But they have a union now — Local 451, Fire-Breathers’ Guild — and you have to book them three months in advance for any climactic showdown. They get two breaks a day, one smoke-free zone, and won’t roast anyone without signed consent. As for witches, they’ve rebranded. “Hex Consultant” is the preferred term. They still brew potions, but the labels now list all allergens, and the cauldrons are inspected by the Ministry of Health.

You can find “happy endings” if you know where to look, but these days they’re bundled into tiered packages. The Bronze Plan gives you a generic resolution with no guarantees. The Silver Plan includes mild personal growth and one (1) romantic subplot. The Gold Plan — very exclusive — promises a fulfilling resolution, a soundtrack of your choice, and at least one character crying in slow motion. Terms and conditions apply.

Curses have been bureaucratized. You’ll have to fill out Form 77B to apply for removal, and the processing time is six to eight weeks. “True love’s kiss” is no longer recognized as a legal remedy unless notarized by a licensed Enchanter. As for marriages, they are renewed annually by mutual consent, reviewed by a panel to ensure “narrative integrity” and “audience engagement.”

Survival here is a skill.

You must learn to sense the moment when the soundtrack swells and the camera pans toward you. That’s your cue to fix your hair, deliver your line, and not trip over the rubble from last season’s climactic battle. You need to be fluent in Prophecy-Speak — vague enough to be misinterpreted, dramatic enough to get funding for a sequel.

And you must be prepared for betrayal, but in the corporate sense: your wise old mentor won’t die in your arms anymore; they’ll simply “transition out of the storyline” and leave you a cryptic email. The villain may invite you to lunch to discuss a merger. The fairy godmother? She’s a freelancer now, juggling multiple clients, and your transformation is strictly pro-rated.

Breadcrumbs remain a vital survival tool, though not for forests. They are now your only defense against the HR department that manages magical creatures, especially since the Wolf–Sheep Workplace Integration Act passed. Keep them handy to distract a troll during performance reviews or to lure a sentient pumpkin away from your carriage.

Rules for the modern realm:

- Do not slay dragons unless your hazard pay clause is watertight.

- Do not eat fruit left unattended — not because it’s cursed, but because it’s probably part of a viral marketing campaign.

- Never agree to “just one more quest” after midnight; that’s a setup for a spin-off you didn’t sign up for.

- Keep a backup script in your boot in case the official one gets rewritten by the Ministry of Plot.

- Treat every songbird that lands on your windowsill as a possible spy.

Most importantly: stop waiting for the narrator. The old omniscient voice retired years ago, replaced by an algorithm that updates your storyline based on audience engagement metrics and quarterly projections. If you want an ending, you’ll have to write it yourself — preferably in permanent ink, on a page hidden deep enough that no one can monetize it.

Because in late-stage fairy tales, survival isn’t about being the fairest of them all.

It’s about knowing that the mirror is cracked, the magic is metered, the castle lease is month-to-month, and happily ever after is now strictly pay-to-play.

Fable

About the Creator

Alain SUPPINI

I’m Alain — a French critical care anesthesiologist who writes to keep memory alive. Between past and present, medicine and words, I search for what endures.

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  • ROCK aka Andrea Polla (Simmons)5 months ago

    Bon création! I will halt my french there. I love "Hex Consultant". Very clever and funny piece!

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