movie review
Reviews of new and classic family-friendly films; the perfect picks for movie night.
HOME ALONE
Released in 1990, "Home Alone" has become a beloved holiday classic and a cultural touchstone for generations. Directed by Chris Columbus and starring Macaulay Culkin in the lead role, the film follows the misadventures of Kevin McCallister, an eight-year-old boy who is accidentally left behind by his family when they go on vacation for Christmas.
By Ashif Ahamed3 years ago in Families
Tomb Raider
"Tomb Raider" is a 2018 action-adventure film directed by Roar Uthaug and starring Alicia Vikander in the titular role of Lara Croft. The film is a reboot of the popular "Tomb Raider" video game franchise, which previously spawned two film adaptations in the early 2000s.
By Ashif Ahamed3 years ago in Families
The Godfather
"The Godfather" is a classic American crime drama film released in 1972, directed by Francis Ford Coppola, and based on Mario Puzo's novel of the same name. The film stars Marlon Brando, Al Pacino, and James Caan in lead roles and is widely considered one of the greatest films of all time. The film's success led to the creation of two sequels, both directed by Coppola, released in 1974 and 1990.
By Ashif Ahamed3 years ago in Families
Joyland review - unpretentious trans show from Pakistan is noteworthy introduction
The correct method for feeling love, and the correct method for feeling a piece of a family, are the insoluble hardships at the core of this secretive, miserable and delicate film from Pakistan, a show overflowing with life and novelistic detail, coordinated by the initial time movie producer Saim Sadiq. He has been compensated with the Un Certain Respect jury prize at Cannes, an authority section shortlisting for the Foundation Grants (however not a last selection), and scorn and oversight from Pakistan's sterner political classes for his film's alleged extramarital perversion.
By Surya Prakash.R3 years ago in Families
Cocaine Bear -a movie review
On the off chance that a man and a subterranean insect were presented to radiation all the while," articulates John Goodman's B-film maestro in Joe Dante's 90s religion pearl Early show, "the outcome could be horrendous without a doubt; for the outcome could be… Mant!" You can hear a reverberation of Goodman's "Half man, half subterranean insect, all fear!" mantra in the pitch for this goofy frightfulness satire in which a dominant hunter and a ragtag gathering of people are presented to a few million bucks of class-An opiates at the same time and the outcome is… Cocaine Bear - a title so splendidly straightforward and unbelievably WTF? that it nearly makes the actual film excess. Could any element truly be basically as much fun as the viral trailer that dropped last month, pounding up sweary kids ("There was a bear; it was screwed!") and thundering behemoths to the siphoning kinds of White Lines (Don't Don't Make it happen)? Or on the other hand is this, similar to 2006's greatly advertised Snakes on a Plane, simply one more instance of all title and no pants?
By Surya Prakash.R3 years ago in Families
Creed III review
Franchise exhaustion is in no way, shape or form another disease - truth be told it's become so generally analyzed that a significant number of us have weariness of the expression "establishment weakness" itself. In any case, with last year's all's 10 greatest movies at the US film industry being important for a series - and with the greater part of them not being excellent - it's never not something worth talking about to murmur over. It's directed to a kind of morose acknowledgment, the sort that gets only that piece glummer around the arrival of one more completely disappointing and strikingly inconsequential Wonder film.
By Surya Prakash.R3 years ago in Families
The Narrow Road review
Hong Kong: it's been some time. Lam Total's delicate, smart film The Restricted Street was shot during Coronavirus, be that as it may, not at all like a considerable lot of its kind, utilizes lockdown just as a feature to powerfully underscore what we as a whole know to be valid: how poor people and the battling and the extremely youthful and exceptionally old took the heaviness of the pandemic on their delicate shoulders. A requiem, as it were, for a chief who is emigrating; an affection tune to his city and the low-paid work on which it was founded,The Tight Street expands on the odd-couple matching of veteran Louis Cheung and rookie Angela Yeun to convey an unobtrusive and influencing representation of a troublesome time in a novel spot.
By Surya Prakash.R3 years ago in Families
Netflix's JUNG_E - a movie review
In the event that the leading edge hit "Train to Busan" was chief Yeon Sang-ho's effective cut at sayings set up by pioneers like George A. Romero, "Jung_E," presently on Netflix, is the producer's cut at "The Terminator," "Maze Runner" and science fiction activity flicks with profound philosophical underpinnings about being human. The producer behind "Hellbound" has lost none of his expertise with set-pieces (and may have even superior in that area), however he can't figure out how to make the swelled, overlong focal point of his most recent task work. Likewise with "Busan," his activity filmmaking stays well better than expected, yet that range of abilities isn't actuated enough as an excessive lot of "Jung_E" is content to examine its subjects rather than simply implanting them in a fascinating story. The initial activity arrangement of "Jung_E" flaunts those classification cleaves, and the most recent 15 minutes are really underhanded. You can find another thing to occupy you for nearly in the middle between.
By Surya Prakash.R3 years ago in Families
Netflix's You People
The main film on Netflix, You Individuals, has standard pundits flinching and Dark Twitter sassing the screen. The important point: they're not accepting any of it - not the way of life conflict, not the projecting and certainly not the science between the two heartfelt leads.
By Surya Prakash.R3 years ago in Families
Netflix's We Have a Ghost - a review
One of the hardest big screen misfortunes during the fast covering and slow resuming of films during the pandemic was the absence of a significant crowd for body trade satire frightfulness Freaky, a smart group pleaser that never truly got the opportunity to satisfy a significant group genuinely. Essayist chief Christopher Landon's niftily viable and shockingly touchy concoction of Friday the thirteenth and Freaky Friday was packaged into multiplexes when crowds were all the while remaining endlessly, and accordingly, remains savagely under-seen.
By Surya Prakash.R3 years ago in Families
Movie Review about “Knock at the Cabin”
M. Night Shyamalan seems to have a knack for creating disastrous apocalyptic movies. Who could forget the perplexing plot of his eco-thriller "The Happening," which featured a character nonchalantly lying down in front of a moving lawn mower? And then there was "After Earth," a science-fiction movie starring Will Smith and his son Jaden Smith that tanked at the box office. Despite Shyamalan's fascination with the end of the world and his tendencies as a sentimental moralist, an overzealous plot-twister, and a button-pusher, his attempts to tackle this theme always seem to miss the mark. His latest film, "Knock at the Cabin," uses the threat of an impending apocalypse to explore human behavior and morality, but ultimately falls short.
By RAMACHANDRAN M3 years ago in Families
