Oh! why me. Why is it always me that gets into these kinds of predicaments. Well, I guess I better share how I got here. I was picked up my kid and he said, "I have a game to play." We ran around for a while he said a few lines and Bang, bang his toy gun went off. The next thing he was tying me to this post and here I am. I wish he would hurry back, but he and his mom jumped in the care and off they went. Hope they get here soon I'm getting stiff.
About the Creator
Mark Graham
I am a person who really likes to read and write and to share what I learned with all my education. My page will mainly be book reviews and critiques of old and new books that I have read and will read. There will also be other bits, too.
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More stories from Mark Graham and writers in Critique and other communities.
Hey, Look At Me!
Betcha, you are thinking why am I hanging here on this line by my ears. Well, I am going to tell you in a very short story. This afternoon I was with my kid, and we went for a walk. It was a beautiful day, so he decided to walk down his mothers' garden path, when he saw that she was watering her vegetables. Wouldn't you know it my kid did not see the puddle in the middle of path and slipped and down we went. His mom saw, laughed and hosed us off and hung me out to dry.
By Mark Grahamabout a year ago in Critique
Who Is Clavicular? The Looksmaxxing Streamer Who Ran Over A Stalker In His Cybertruck
What is so damaging to this current culture is the ant-intellectualism which pervades nearly every element of it. Clavicular, real name, Braden Peters equivocates physical form with getting women, making money, and overall being a strong “man.”
By Skyler Saunders19 days ago in Critique
Angry People Click More: The Economics of Manufactured Dissent
(Ideas from the book The Economic Policy of Online Media: Manufacture of Dissent, Routledge, 2024) Abstract This article examines the formula ‘angry people click more’ as a core logic of contemporary online media and as a structural transformation of propaganda in the digital age. It argues that the defining feature of the current attention economy is not only the circulation of misinformation, but the systematic deployment of openly implausible claims designed to provoke moral outrage and sustain profitable engagement cycles. The analysis links Oxford’s 2025 Word of the Year ‘rage bait’ to earlier lexical markers of epistemic crisis such as ‘truthiness’ and ‘post-truth’, and situates this trajectory against the older ‘manufacture of consent’ model of Herman and Chomsky. While classical propaganda in totalitarian and mass-media systems sought ideological unity through censorship and the Big Lie, the emerging Propaganda 2.0 model, articulated by Peter Ayolov, monetises anger by manufacturing dissent and deliberately populating the public sphere with absurd, polarising narratives. The article interprets this dynamic through the allegories of ‘The Emperor’s New Clothes’ and Václav Havel’s greengrocer, showing how the move from fearful silence to permanent online rage changes both the psychology and political economy of propaganda. Drawing on Evgeny Morozov’s critique of fake-news moral panics, Frances Haugen’s disclosures about Facebook, and the documentary The Social Dilemma, it concludes that anger has become a tradable asset and that blatant lying has shifted from an authoritarian instrument of control to a market mechanism in a global ‘free trade in slogans’.
By Peter Ayolov6 days ago in Critique
Comments (1)
Poor teddy bear....