The Sopranos gives us a taste into the underworld of Gangsters and Goomahs. For six seasons we can live amongst the criminal elite and learn the ways of a Mafia Boss, his Consigliere, and his Captains; as Tony, Silvio, Paulie, and Christopher take us on a ride of a lifetime.
About the Creator
Sian N. Clutton
A horror and thriller writer at heart, who's recently decided to take a stab at other genres.
I sincerly hope you find something that either touches your soul or scares your socks off.
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More stories from Sian N. Clutton and writers in Critique and other communities.
The Bible
A concoction of short stories, thrown together to convince entire generations of the impossible and implausible. Abused, to justify the suppression of minorities and throw shame on the innocent, it remains a leading world power despite unimaginable suffering, world hunger and war. Yet they still pray. I remain dumbfounded.
By Sian N. Clutton2 years ago in Critique
Standing While Falling
Quotation from Friedrich Nietzsche "He who wrestles long with monsters should beware lest he himself become a monster. And if you gaze long into an abyss, the abyss also gazes into you. Man is not destroyed by suffering, but by the meaning he makes of it."
By LUCCIAN LAYTH4 days ago in Critique
Angry People Click More: The Economics of Manufactured Dissent
(Ideas from the book The Economic Policy of Online Media: Manufacture of Dissent, Routledge, 2024) Abstract This article examines the formula ‘angry people click more’ as a core logic of contemporary online media and as a structural transformation of propaganda in the digital age. It argues that the defining feature of the current attention economy is not only the circulation of misinformation, but the systematic deployment of openly implausible claims designed to provoke moral outrage and sustain profitable engagement cycles. The analysis links Oxford’s 2025 Word of the Year ‘rage bait’ to earlier lexical markers of epistemic crisis such as ‘truthiness’ and ‘post-truth’, and situates this trajectory against the older ‘manufacture of consent’ model of Herman and Chomsky. While classical propaganda in totalitarian and mass-media systems sought ideological unity through censorship and the Big Lie, the emerging Propaganda 2.0 model, articulated by Peter Ayolov, monetises anger by manufacturing dissent and deliberately populating the public sphere with absurd, polarising narratives. The article interprets this dynamic through the allegories of ‘The Emperor’s New Clothes’ and Václav Havel’s greengrocer, showing how the move from fearful silence to permanent online rage changes both the psychology and political economy of propaganda. Drawing on Evgeny Morozov’s critique of fake-news moral panics, Frances Haugen’s disclosures about Facebook, and the documentary The Social Dilemma, it concludes that anger has become a tradable asset and that blatant lying has shifted from an authoritarian instrument of control to a market mechanism in a global ‘free trade in slogans’.
By Peter Ayolov2 days ago in Critique
Comments (6)
I only got to about season 4 or so. Not because it was bad or anything. Been meaning to finish it for years. Your name is familiar, but I didn’t seem to be subscribed. 😊
What I think about your review is th
I have no idea why I thought this was a show about singers, lol! Excellent review!
I have never watched it, but you make it sound interesting!
I've never watched this
I hate that I didn’t get into the sopranos until the final season. It really was a great show.