Nora Roberts has written Book two of the 'Lost Bride Trilogy' entitled 'The Mirror' for which this one picks up just where 'The Inheritance' ended. Cleo and Sonya are enjoying their chosen professions and their personal relationships with Trey and Owen. They are still dealing with a dark entity which is a ghost by the name of Dobbs, but these four friends though they are skittish at times, but they are working together to beat Dobbs, and they also have a lot of help to do this. Cleo and Sonya are also planning a big celebration to show in a way that they are staying and show that they are the new owners of the manor.
About the Creator
Mark Graham
I am a person who really likes to read and write and to share what I learned with all my education. My page will mainly be book reviews and critiques of old and new books that I have read and will read. There will also be other bits, too.
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More stories from Mark Graham and writers in Critique and other communities.
Year One
Nora Roberts has done it again and this time it is a novel the first in a series entitled 'Year One' that starts out with a virus called 'The Doom' and the world goes berserk. Kind of like when Covid-19 started. This is a story that has three groups of characters that will have to find a way to survive the virus. In this first book it is all about finding a safe place and just being able to survive to see another day. All the groups are just starting to form into what will be magical both white and dark and yes this is a story of witches, but a fun read. I am waiting for book two for it hasn't arrived yet.
By Mark Grahamabout a year ago in Critique
Standing While Falling
Quotation from Friedrich Nietzsche "He who wrestles long with monsters should beware lest he himself become a monster. And if you gaze long into an abyss, the abyss also gazes into you. Man is not destroyed by suffering, but by the meaning he makes of it."
By LUCCIAN LAYTH11 days ago in Critique
Homo Narrans Vs. Phono Sapiens
Peter Ayolov, Sofia University “St. Kliment Ohridski” Abstract This article examines the contemporary shift from storytelling as a shared, dialogical practice to storyselling as a performative, market-oriented mode of self-presentation. Drawing on Byung-Chul Han’s book The Crisis of Narration, the analysis argues that narration has lost its primary social function: the creation of a common symbolic world sustained through reciprocal exchange. Traditional storytelling depended on at least two participants and unfolded as a movement back and forth, producing memory, cohesion, and future-oriented meaning. In contrast, storyselling treats narrative as a one-directional instrument for selling identity, success, or visibility, reducing listeners to passive consumers. The article situates this shift within broader transformations of digital capitalism, self-optimisation culture, and communication coaching, showing how conversational depth is replaced by predictable, strategic self-branding. The loss of genuine conversation is presented not as a stylistic problem but as a structural erosion of social bonds and shared meaning.
By Peter Ayolovabout 2 hours ago in Critique
Comments (1)
I like Nora Roberto’s books used to read lots when I worked on 1 to 1’s on nights at hospital ♦️♦️♦️♦️