Manuscript
Countdown to Pearl Harbor: The Twelve Days To The Attack
Countdown to Pearl Harbor: The Twelve Days To The Attack by Steve Twomey I really wasn’t expecting much of this read; I grabbed it while I was at Pearl Harbor because how could I not get a book while I was there?
By Matthew J. Fromm4 days ago in Critique
Why Capitalism is not a Form of Government
Hey guys, welcome back to another educational rant with minimal research involved. Today's topic is about how there are no true forms of government besides anarchy and capitalism, and why it works so well. This topic is also an example of a much more basic concept of how organized systems maintain themselves long term.
By Talented Jester2 months ago in Critique
AI Usage Controversy. AI-Generated.
Disclaimers: 1. This article is written in cooperation with an AI tool, particularly Gemini. Although this article is not entirely written by a person. It was still fact checked and revised by one. Every sentence and idea is an intended part of this article even if the original content was not made by the author.
By Talented Jester2 months ago in Critique
I rewatched Twilight: Breaking Dawn Part 2
The Twilight Saga: Breaking Dawn Part 2 (2012) serves as the conclusion to the massively popular franchise based on Stephenie Meyer's novels. Directed by Bill Condon, the film attempts to provide closure to the supernatural romance while delivering the spectacle audiences expected from a franchise finale. However, its execution reveals both the strengths and significant weaknesses that defined the series.
By Parsley Rose 3 months ago in Critique
An Honest Review on "Mom"
I recently finished watching "Mom" for the second time, and if anything, I appreciated it even more on the rewatch. This show masterfully balances laugh-out-loud comedy with genuine emotional depth, making it one of those rare sitcoms that can make you cry and laugh within the same episode.
By Parsley Rose 3 months ago in Critique
Finally Sat Down to Watch Midsommar (2019)
Ari Aster's 2019 film Midsommar represents an ambitious and polarizing entry in contemporary horror cinema. Following his acclaimed debut *Hereditary*, Aster crafts a folk horror experience that deliberately inverts the genre's visual conventions while exploring the dissolution of a toxic relationship against the backdrop of a Swedish pagan festival. The result is a film that is simultaneously beautiful and disturbing, meditative and visceral, earning both ardent admirers and vocal detractors.
By Parsley Rose 3 months ago in Critique
Beauty in Black Season 2: Power, Money, and Chaos Are Back on September 11, 2025!
Okay, friends, grab your snacks and a comfy chair, because Beauty in Black Season 2 is almost here, on September 11, on Netflix. It promises even more drama, intrigue, and jaw-dropping moves than the first season. Yes, like before, there’s plenty of time to soak in the chaos, bringing the signature mix of charm and edge.
By Sara Yahia4 months ago in Critique
The Gift of Insight
The Gift of Insight How Constructive Critique Builds Growth, Confidence, and Mastery Sasha adjusted the light above her easel, squinting at the canvas that had consumed her weekend. The colors felt right. The brushstrokes were bold. Still, something about the composition felt... off. Art school had taught her technique. What it hadn't prepared her for was the silence that followed when she finished a piece. Friends gave her polite praise. Her social media posts gathered likes, but no substance. What Sasha needed wasn’t approval—it was perspective. So when her mentor, Miguel, offered to give her feedback, she hesitated for only a second before accepting. Miguel had a reputation. He wasn’t cruel, but he was honest. Students often joked that a Miguel critique left you thinking harder than an exam. But those same students returned to him again and again, their skills sharper each time. They met in his small studio the following afternoon. Sasha leaned her canvas against a brick wall, trying not to fidget. Miguel looked at the painting for a long moment. Then he smiled. “You’ve got great energy here,” he began. “Your use of contrast draws me in, and that layering in the background—it’s working well.” Sasha exhaled. Praise felt good. But she waited, sensing more was coming. “Now,” he continued, “can I show you something?” She nodded. Miguel picked up a small mirror and held it in front of the painting. “When you look at your piece in reverse like this, do you notice how the left side feels heavier?” Sasha tilted her head. He was right. The composition, once vibrant in her eyes, now seemed lopsided. She had been so close to it, so invested, that she hadn’t seen the imbalance. “That’s one of the hardest things about creating,” Miguel said gently. “We get attached. But critique helps us step outside ourselves. It’s not about tearing down—it’s about seeing clearer.” As they talked through other parts of the piece—color temperature, line direction, emotional tone—Sasha began to scribble notes. Miguel never told her what to fix. He asked questions, offered observations, and left space for her to make her own decisions. By the end of the session, Sasha didn’t feel defeated. She felt empowered. --- The next few weeks, she made a point to invite more critique—from peers, professors, even her younger brother, who, to her surprise, had a sharp eye for visual storytelling. What changed wasn’t just her art—it was her attitude. She began to separate herself from her work. A critique wasn’t a personal attack; it was a generous offering. Each comment, even the ones that stung at first, carried insight. When given respectfully and received openly, critique became a conversation—one that made her better. One afternoon, she watched a fellow student, Cara, struggle through a harsh group review. The feedback, though valid, had been blunt. Cara looked deflated, her voice tight as she defended each choice. Sasha waited until the session ended, then approached her. “I’ve been there,” she said gently. “Want to grab coffee and talk through your piece again? Just you and me?” Cara agreed, and over warm mugs and quiet conversation, Sasha offered the same approach Miguel had used with her—encouragement first, then thoughtful questions, observations, and space to reflect. When they returned to the studio later that week, Cara’s piece had transformed. “You helped me actually hear the critique,” she told Sasha. “I didn’t feel like I had to defend myself. I felt like I could explore.” --- By the end of the semester, Sasha’s work had reached a new level of depth and clarity. She still had doubts—what artist didn’t?—but now she welcomed feedback. She even started a small critique circle, built on trust, kindness, and curiosity. What she had feared—judgment, rejection—had turned out to be the very thing that pushed her forward. Critique, she realized, was not a test of worth. It was a tool for growth. Like pruning a plant, it might seem harsh in the moment, but it made room for stronger, fuller bloom. And in that spirit, every time she picked up a brush, she did so not with fear, but with confidence—knowing that insight, when given with care and received with openness, was one of the greatest gifts any creator could receive.
By Muhammad Saad 5 months ago in Critique
Ethan Slater joins as Erin Moriarty returns to ‘Gen V’ Season 2: Deets Inside
The upcoming season of Gen V is generating buzz. Ethan Slater joins as Thomas Godolkin. Erin Moriarty will reprise her role as Starlight. Chace Crawford’s The Deep and Nathan Mitchell’s Black Noir will also return. The trailer was revealed at San Diego Comic-Con. It showed Starlight saving Jaz Sinclair’s character.
By Dena Falken Esq5 months ago in Critique
Trailer Trash McMansions
Feeling poor? Sometimes it’s a matter of just not being able to land a job with a good pay cheque. Or sometimes it’s a matter of refusing to tolerate corporate bullshit even for a good pay cheque. There is absolutely nothing wrong with being poor.
By Narghiza Ergashova5 months ago in Critique
