"Castle" cunningly combines crime-solving and comedy, captivating crowds with charismatic characters. Cleverly constructed cases create compelling conundrums, complemented by chemistry and crisp chatter. Though occasionally clichéd, the creator's constant cascade of curious crimes keeps spectators consistently conjecting, craving more captivating chapters of Castle's crime-cracking capers. Catch it on Hulu today!
About the Creator
Aaron Richmond
I get bored and I write things. Sometimes they're good. Sometimes they're bad. Mostly they're things.
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"Aqualung"
"Aqualung" artfully amalgamates acoustic and amplified aspects, accentuating Anderson's adept artistry. Atonal and aggressive, album's arrangements aptly alternate, allowing Anderson's astonishingly astute and ambiguous anecdotes. Aural adventure, albeit aged, amazes and astonishes, always an admired addition, artistically advancing art rock's allure. An archetype, absolutely absorbing, an all-time affective, arresting classic.
By Aaron Richmond2 years ago in Critique
Standing While Falling
Quotation from Friedrich Nietzsche "He who wrestles long with monsters should beware lest he himself become a monster. And if you gaze long into an abyss, the abyss also gazes into you. Man is not destroyed by suffering, but by the meaning he makes of it."
By LUCCIAN LAYTH6 days ago in Critique
Angry People Click More: The Economics of Manufactured Dissent
(Ideas from the book The Economic Policy of Online Media: Manufacture of Dissent, Routledge, 2024) Abstract This article examines the formula ‘angry people click more’ as a core logic of contemporary online media and as a structural transformation of propaganda in the digital age. It argues that the defining feature of the current attention economy is not only the circulation of misinformation, but the systematic deployment of openly implausible claims designed to provoke moral outrage and sustain profitable engagement cycles. The analysis links Oxford’s 2025 Word of the Year ‘rage bait’ to earlier lexical markers of epistemic crisis such as ‘truthiness’ and ‘post-truth’, and situates this trajectory against the older ‘manufacture of consent’ model of Herman and Chomsky. While classical propaganda in totalitarian and mass-media systems sought ideological unity through censorship and the Big Lie, the emerging Propaganda 2.0 model, articulated by Peter Ayolov, monetises anger by manufacturing dissent and deliberately populating the public sphere with absurd, polarising narratives. The article interprets this dynamic through the allegories of ‘The Emperor’s New Clothes’ and Václav Havel’s greengrocer, showing how the move from fearful silence to permanent online rage changes both the psychology and political economy of propaganda. Drawing on Evgeny Morozov’s critique of fake-news moral panics, Frances Haugen’s disclosures about Facebook, and the documentary The Social Dilemma, it concludes that anger has become a tradable asset and that blatant lying has shifted from an authoritarian instrument of control to a market mechanism in a global ‘free trade in slogans’.
By Peter Ayolov4 days ago in Critique
Where's the Glory?
In breaking news, rehabilitated Republican Senator Johnnie Johnson (Pronouns: HE, HIM, HIS) called a press conference from the Men’s room of the New Orleans Louis Armstrong International Airport, Concourse B, across from the Ignatius Reilly’s Lucky Dog stand. The Senator had just returned from a sexual reorientation rehabilitation program in Memphis, TN after being publically disgraced at a Buckee’s Truckstop restroom soliciting sex from an undercover cop three months ago. He is a founding member of the Reformed Christians for Christ, a conservative, pro-family and ex-gay advocacy group. In the spirit of being reborn, Senator Johnson invited reporters to marvel at his plans for a major remodeling of airport bathrooms.
By Cathy Schieffelin6 days ago in Humor
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