Criminal logo

the Mind of a Killer

He didn’t just take lives—he rewrote the rules of evil.

By FAIZAN AFRIDIPublished 8 months ago 3 min read

Inside the Mind of a Killer

The first thing Detective Mira Lane noticed was the silence.

Not the absence of sound—but the thick, deliberate hush that settled over the apartment like a fog. The kind of quiet that made your skin crawl. The kind that suggested something terrible had just happened—and maybe wasn’t quite over.

The body was staged, just like the others: sitting upright at the dinner table, eyes open, lips sewn shut with black thread. The same poem pinned to the chest, handwritten in looping red ink:

“If I speak, the truth shall die.

So silence keeps my secrets high.”

It was the fifth victim in six weeks. Different cities. Different lives. Same killer.

He had no name. No fingerprint matches. No digital trace. He was a ghost—except for the messages he left behind, and the perfectly preserved crime scenes. Nothing stolen. Nothing broken. Just a body, a riddle, and a mind games champion playing with police departments like toys.

Until Mira joined the case.

She didn’t believe in ghosts. She believed in patterns. And this killer was leaving them, like breadcrumbs. The poems, the stitching, the hour of death—always between 2:13 and 2:17 a.m.—and now, something new.

This victim had a book open in front of her.

A journal.

Mira flipped it open carefully with gloved hands.

Most of the pages were blank, except one. Scribbled in blue ink, shaky, rushed:

“He doesn’t kill for hate. He kills for silence. I told him my story. Now he owns it.”

Mira’s heart jumped. She scanned the room. Hidden mic? Camera?

She didn’t know it yet, but she’d just stepped into the killer’s next chapter.

Back at her hotel, Mira couldn’t sleep. She replayed the message over and over. "He owns it."

It wasn’t about power—it was about control. The killer didn’t just take lives; he took voices. Every victim had something to say. Something painful. Something true. He shut them up. Forever.

That meant he had to talk to them first. Gain their trust. Listen.

He was a storyteller. And he was crafting the perfect narrative.

But what if he wanted someone to understand it?

At 2:16 a.m., Mira’s phone buzzed.

UNKNOWN NUMBER.

A message.

You found her journal.

Would you like to know what she didn’t write?

Come find me.

Attached: a GPS pin. An old abandoned library outside the city.

She grabbed her badge and gun.

The library looked dead. Covered in vines, the windows boarded. Mira kicked the door open.

It was dark inside—except for a single desk lamp, casting a yellow pool of light over an open book.

He was sitting there.

The man they’d been hunting for months.

Calm. Smiling. Reading.

“Detective Lane,” he said without looking up. “I’ve been waiting.”

She aimed her gun. “Hands where I can see them.”

He raised his hands slowly, still smiling.

“Tell me your name,” she demanded.

“I’ve had many,” he said. “But I like this one: The Editor.”

Mira’s stomach turned.

“You edit people?” she spat.

“I edit stories,” he corrected. “Tragic ones. Messy ones. I find them, hear them, and… clean them up. Make them quiet.”

He stood up, arms still raised.

“They all wanted to be heard. But the world forgets. I don’t.”

“You murdered five people,” Mira said.

He tilted his head. “No. I preserved them. The world silences victims in a thousand ways. I gave them endings worth reading.”

Mira’s hand trembled slightly on the trigger.

“You’re insane.”

He stepped closer, slowly.

“Not insane. Intentional. And now I’ve chosen you.”

“Chosen?”

“To write my final chapter,” he whispered. “You’ll tell the world who I was. What I did. Why.”

“Why would I ever do that?”

“Because,” he said, eyes gleaming, “if you don’t… I’ll just keep writing.”

Mira arrested him that night.

The trial was national news. The media called him The Literary Killer. Every poem was dissected. Every journal read aloud in court.

But even behind bars, he smiled.

Because Mira did write his story.

She published it under a pseudonym. She said it was to warn people. To help them understand what evil looked like up close.

But sometimes, at night, she’d wake up wondering:

Was that his plan all along?

And in the silence between thoughts, she’d hear his voice again:

“You found her journal.

Would you like to know what she didn’t write?”

fictionmafiafact or fiction

About the Creator

FAIZAN AFRIDI

I’m a writer who believes that no subject is too small, too big, or too complex to explore. From storytelling to poetry, emotions to everyday thoughts, I write about everything that touches life.

Reader insights

Be the first to share your insights about this piece.

How does it work?

Add your insights

Comments

There are no comments for this story

Be the first to respond and start the conversation.

Sign in to comment

    Find us on social media

    Miscellaneous links

    • Explore
    • Contact
    • Privacy Policy
    • Terms of Use
    • Support

    © 2026 Creatd, Inc. All Rights Reserved.