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Kerlaugar

A story of a young river otter who's home is burned and washed away by pirates. He is lost after losing his family, until a wandering salt-otter he met prior decides to take him in and trains him how to survive and ensure that he won't lose anything precious ever again.

By Toby HewardPublished 2 months ago 15 min read

Chapter One: The River

The morning began, as most mornings did at Stillwater, with the river speaking. It spoke in a language Reed had known since he first learned to paddle: a steady, rolling voice of cool currents and bright, tiny silver scales that blinked like stars. It spoke in the slap of water against mossy stones, in the hush of reeds that bent and whispered secrets to one another, in the soft clucking of kingfishers returning to their nests. Reed listened with his whole body—the twitch of whiskers, the tilt of ears, the pressure of paws on the slick riverbank—and the river told him everything he needed to know for an ordinary day.

Reed was not large for an otter, but he was built the way otters are built to be—long and lithe, overlapping layers of soft brown fur that smelled faintly of driftwood and dandelion. He had a strip of lighter fur down his throat that his mother liked to smooth when he was small, and eyes the bright, curious gray of storm-shadowed water. His tail was his pride: thick at the base and tapering to a muscular point, it flicked with the careful confidence of someone who could twist through eddies and dive where other animals coughed and sputtered.

He lived in a hollow tree beneath the leaning branches of an old willow, where the river widened into a slow, silver pool. Around that hollow his family made their snug home: a nest of reeds woven with cattail fluff, shelves of smooth pebbles and shells, little stores of smoked eels and salted tubers tucked in hollows for winter. There was the warm, perpetual bustle of family life—his mother Kest, his father Lester, and his younger sister Lark, who was always inventing new games and getting them all laughing until the water shook with noise.

This morning Reed woke to the laugh of Lark and the scent of bread frying on a flat stone. The sun drifted in patches through willow leaves, painting the river with flecks of gold. Kest bent over a low pan, patting a piece of dough into a thin, flat cake. Lester was at the entrance to their hollow, already wet from an early plunge, combing the wavy fur along his shoulder with a neat wooden comb. The family moved together like a single current—each thing reaching without strain for the next.

"You're late," Lark said, with the half-accusatory, entirely teasing tilt she always used. She leaned a shoulder against Reed as he scrambled to his paws; the touch was electric with familiarity.

"Not late," Reed said. He ducked under Lark's arm and caught up a slice of warm bread as it left the pan. He bit into it—the crust crackled, the inside was soft—and for a moment the world narrowed to bread and sun and the river's easy song.

They set out together, as they always did, wrapped in woven mats and small leather pouches tied at their hips, paddles tucked along shoulders. The family's boat was a long, shallow dugout, crafted by Lester from a fallen alder last autumn. It rocked with the hours they had spent in it—patched with reed cord, oiled with fish oils, lined with soft moss. It smelled of cedar and home.

The river welcomed them as if it were greeting kin. Sturgeon slid like grey moons beneath the surface, and minnows scattered like flurries of silver dust. The reeds sloped back to let them pass; dragonflies followed the boat like hurried messengers. Reed set his hands on the paddle, feeling the familiar give and wanting the days to stay braided in ordinary sameness. There was an ease in the pattern of their life—a rhythm of tides and sunlight and fish—that made everything feel safe.

"Today I think we'll try upstream," Lester suggested, voice low and content. "The shallows above the bend have been rich the last few days. The current brings in good things."

Kest nodded, eyes already skimming the glassy surface for the slightest boil that would betray a trout. "And if the trout are scarce, we'll try traps near the reed beds. Lark, you can lay the lines."

Lark's grin was a promise. "I will. I'll make them sing."

They paddled in companionable quiet for a while. The river kept the conversation for them, giving them little signs: a submerged log where eels liked to curl; a swirl of bubble that meant pike; a feather caught on a reed that hinted at a rookery nearby. Reed listened for his own small joys—the tug of a fish line, the slap of a bass, the cry of a swallow. He loved the work with a steady, honest love. Fishing was not only how they ate. It was the way the family read the river and, in reading, returned something to it: a practiced hand, a respectful harvest, a laugh thrown back at a stubborn fish who slipped away.

The shallows above the bend were exactly as Lester had remembered: sun-honeyed, dotted with limestone, the water moving in a thousand small ripples. Reed slipped in with a soft entry, pushing the dugout to a shaded rock while his sister waded with a net. Lester favored a longer spear; Kest set lines in the eddies. Reed liked the freedom of the net, the way it could scoop in a sudden flash of silver.

He caught a trout on his second sweep—small but fierce—and held it up against the sunlight. Its scales made a mosaic of tiny moons. Lark squealed and clapped as Lester praised Reed's aim. For a while they worked like that, filling their baskets, trading small triumphs and jokes. The day made itself into a tapestry of very small victories.

And then, because no river day is ever without a ripple of surprise, Reed saw it: a flash that did not belong. A long shadow, moving not with the rhythm of fish but with the deliberate glide of something with purpose. He saw it because Reed had learned to see beneath the shimmer. The shadow moved close to a willow stump, where water swirled with strange eddies. Something was there—large, darker than a sturgeon.

"Steady," Lester said from the dugout, where he had paused. His voice had a small edge, the way a paw sometimes tightens when a stone catches underfoot.

Reed kept his net low. The shadow rolled and outlined itself—broad shoulders, a head that did not dip like a fish's, a wet, glistening snout. A seal? It looked too long for that. Not a beaver, not a dog. The thing let out a sound then, a deep, brackish gurgle that made the reeds shudder.

Lark's hand found Reed's wrist. "What is it?" she whispered.

Before Reed could answer, the creature slid into the open water, and with the grace of something bred at sea it raised itself on its fore flippers and pushed toward them. Its fur was otter-fur; it lay in smooth mats, glossy like an oil-slick. Around its neck hung a strip of weathered hide, and its eyes were bright with the kind of cunning that comes from travel.

"Salt-otter," Lester said quietly. "Our close kin."

They had heard of them—otters who found the estuaries where river met sea, who learned other currents and the thicker, keener ways of those tides. Salt-otters were folk of stories: traders, wanderers, sometimes thieves. Lester had a small scar above his whisker that had come, he said, from a salt-otter's blade long ago. It was a story he told to teach Reed about respect for those who move between waters.

The salt-otter pushed her way closer, moving with the arrogance of tide-born animals. She was larger than Reed, with a faint ring of pale fur around one eye like a crescent moon. She carried a small leather pouch at her side that clinked with something metallic. When she spoke, her voice slid through the air like a rope.

"Good morning," she said. Her words were plain and trimmed for utility. "A fine day for fishing."

Lester's hand stayed on the paddle. "Morning," he answered. "Are you bound for the estuary?"

"Maybe," the salt-otter said. "Maybe I am bound for trade. Maybe I'm bound for a story. Who can say what the river wants when it flows like it does." Her whiskers tasted the breeze. "You folks look like you might be trading in trout. I buy salted fish from time to time around here."

Kest's expression softened, but Reed could see from the small set of her mouth that she was measuring. Bargaining around Stillwater had its own rules: courtesy, clear weight, and a share kept for the elder ones who kept the banks in winter. Lester had traded with salt-otters before—once, when they had needed extra rope and a coil of brass for a wheel—but he was always cautious, and for good reason: salt-otters had their own loyalties.

"We're not keen to sell our day's catch I'm afraid," Lester said, polite as a closed gate. "We take only what we need and we haven't caught our fill yet."

The salt-otter dipped her head. "Fair enough. I am not here to take. I am only passing through. If you have any smoke-dried eels next week, send word. I'll pay in beads." She looked at Reed then, and Reed felt the weight of her gaze like a small key.

"You there," she said. "You look fit for the current."

Reed almost bristled at the notice. There was pride in being noticed, and there was a tether—an unspoken sense that the world outside could tug at you. He kept his voice level. "I'm Reed. This is my family. We fish this stretch."

"Reed," the salt-otter repeated. "A good name for one who slides and hides in the marshes. Keep it clean." She flashed a tooth in what might have been a smile. Then she pushed back and vanished with a ripple, sliding under willow roots and beyond sight as if she had never been there at all.

When she had gone, the river seemed to sigh and fold itself back into its old song. The ordinary day reasserted itself—nets dipped, fish were plucked from shadow. But something had shifted. Reed found himself thinking of the leather pouch and the metallic clink. He thought of far horizons and boats that spoke another language. He felt the faint pull of currents that ran beyond home.

They finished the morning's labor at midday, the dugout heavy with fish and their bellies warmed by the sun and a crust of bread broken between them. Lark lay with her head on the gunwale, counting spots on her fur as if they were constellations. Kest hummed an old weaving song while she threaded a small needle to straighten a net. Lester dozed, one paw over his eyes, a smile at the corner of his mouth as he dreamt of spear-succeses long past.

"Don't trip on your dreams," Kest told him lightly, but kisses his paw in the way that let him know the world was tethered and home.

Reed wanted to tell them about the salt-otter, to push the notion of faraway tides into their afternoon. But the right moment was a small thing—sometimes it came and sometimes it did not. He tucked the thought away in the same chest he kept spare hooks and reed-twine in: for later.

They returned upriver with the lazy pull of satisfied bodies. The willow that shaded their hollow threw a cool moon of shade across the water. Reed slid ashore with the rest of his family and helped carry the catch to the smoke shelf they kept within the hollow. Reed had a small private task he liked to perform: he threaded a thin strip of bark through the fish's gills and tied them like small flags to the low rafters. There was a ceremony in it—an offering to the river for its day.

"This evening I'll mend the western net," Lester said. "The current's been tearing it at the seam."

"And I'll help you," Reed offered, eager. He liked mending almost as much as fishing; it was the slow repair of visible things, an affirmation that things could be made whole again.

Night began to stretch its thin fingers over the river. The world cooled, and firelight took the place of sunlight. Their little dwelling filled with the smell of smoke and fish and the tang of riverweed that had dried near the hearth. They ate with hands that moved fast and contentedly. Lark told a story about a wagtail who had stolen a slipper; Reed added, more modestly, a tale of a trout who had splashed the mayor's hat and sent it sailing into the reeds. They laughed; their voices caught on the rafters and made them glow.

After the plates were cleared and the nets dangled like curtains to dry, the family gathered on the low stones near the river. Lester showed them a knot he'd learned during the winter, a clever weave that would hold even under the worst strain. Kest braided a thin reed, making a small crown she put on Lark's head; Lark squealed and then bowed as if before a court.

The moon rose thin and pale. The river's voice diminished from day-chat to a whispering lullaby. The ordinary comforts—safely stacked logs, spare lengths of reed, the warm presence of family—made Reed's chest both full and quiet. He loved these things fiercely and without fuss. He understood that small joys, stacked like stones, built a secure bank against winter.

He had not known, that night, how quickly ordinary days could break into new shapes.

The first whisper that altered the shape of Reed's world came on the wind. It arrived with the scent of something different: smoke not from their own hearth, but peat-fire and pitch, a scent that brought the briny openness of the sea folded through with the iron tang of distant metal. Reed's whiskers twitched. He was too old to think every new smell a herald of danger, but he had the uneasy, deep knowledge that in the larger world not all changes were gifts.

Lester noticed it too. He halved his silence and listened, eyes narrowing. "Ships," he said, as if the word itself could stand alone. "Or people from the estuary. Or worse."

Kest rose, steady and calm. "Bring the lantern," she said simply. "Check the perimeter. Lark, stay near the hollow."

They did as they were bid. The lantern's glow painted the willow in a honeyed light, and Reed padded along the bank, feeling the solid, patient beat of the river underfoot. Something else caught his eye—footprints in the soft mud where the reeds gave way to riverbank. They were not four-toed squirrel marks or the wide pads of badger. These were unfamiliar prints, narrow and edged with iron nails. Someone had walking upriver and passed their weight along the edge.

"We don't get many folk here at this hour," Reed confessed, voice small in the hush. "Not since the last trade caravans and the beaver's mill."

Kest traced a finger through the marks. "Paws that have walked a long way," she said. "And the prints go toward the old crossing."

The old crossing was an iron-built plank and stone abutments that had seen better days. It slotted over a narrow part of the river where beasts and folk shuttled through seasons—sometimes with carts, sometimes just with burdened backs. Reed had played there as a child, launching a leaf-boat into the whirling seam, watching it bob toward the darker waters. It was not a place of ordinary booted travel; its stones were slick, and only folk who had purpose went there by night's hush.

They followed the prints silently, moving like the river in inches and sweeps. The lantern painted long, stuttering shadows across the water. When they reached the crossing, the night's hush was cleaved by voices—low, metallic, strangers' words. Reed pressed close to a root and peered after dimming the lanterns flame. The moon slid between the clouds and revealed a sight that caught the breath in his chest: a small, low boat tied to the crossing, and three figures crouched near it. One moved like a fox and spoke like a fox; another was broad-shouldered and wore a heavy coat spattered with salt; the third crouched at what looked like a wooden chest, its paws gloved and busy.

They were not salt-otters this time. Their faces were mottled with travel; fur matted with brine and other things. One of them—shorter, wiry—had a strip of cloth over one eye. The other two had belts with jangling pieces of metal that sang faintly when they moved. They were traders, perhaps, but there was industry in their voices. Reed heard words—"stores" and "harvest" and "north"—and the undertone of something else, like a plan.

Lester raised his head slightly, hand on Reed's shoulder as if to remind him that the night could be full of lessons. "We should hide from those we can speak to but hide from the light," he muttered. "They give cause for unwelcome trouble."

Kest's jaw set. "But we should keep our own stores safe," she whispered. "We know how to keep unwelcome guests away."

Reed felt both pull and push—curiosity and the river's caution braided together. He could have crept closer, spied with a child's impatience, let his eyes soak in whatever this new world offered. But his family was there and the night held its own claims. He stepped back when Lester motioned, and together they retreated to the hollow, leaving the strangers to their murmurs by the crossing as they melted into the river.

They spent the rest of the night awake, watching the river's dark. The lantern flickered and threw brief islands of shimmering gold on the water. Occasionally a footfall would answer from the crossing, faint and careful. Once, when a panel of clouds slid away, Reed saw the low boat push away, scudding into the deeper currents with the grace of a creature born for travel. The voices fell away with the boat's wake, and the night folded itself back.

It would have been easy, Reed thought as sleep finally lifted him like a warm current into dreams, to consider the day concluded. A strange boat, a salt-otter's visit, footprints by a crossing—these could have been nothing more than the day's oddities, like driftwood flung in from some larger world. But Reed was, at something deeper than frost and sunlight, a creature attuned to currents. The river keeps memory in its bed the way otters keep stories in their bones. Things that slip under the surface of the ordinary leave traces, and Reed's body remembered the tug.

He dreamed of a wide, black water stretching beyond the willow line, of a distant shoreline rimed with unfamiliar banners. He dreamed of a brass glint in a pouch and a salt-otter's mooned eye. He dreamed, too, of his family gathered around the smoke shelf, of Lark's laugh, of the sweet, small circle of his life. And when the morning came again, the river's language remained the same—soft, patient, and full of invitation.

Reed slid from the hollow and into a sun-splashed day that might, any day, be ordinary again. He shaved a sliver from a reed for a new hook, and he let his thoughts run like a drift of minnows between the news of the crossing and the old comfort of lines and nets. If there was change cast upon their lives, it would arrive as surely as a tide. He would not know whether it would be kind or cruel ahead of time.

For now the bank was full of small, sure work. He loved the feel of the reed bending beneath his hands, the clean, honest tug of the river when a fish took a line. He climbed into the dugout with Lester and Kest and Lark, and they set out once more upon their daily water. The current welcomed them with the same tone as yesterday—familiar, forgiving.

Reed caught a trout that morning the size of a sunplate, and for a moment the ordinary swallowed everything. He laughed and tossed it onto the boat's deck, and when Lark asked what the world beyond the bend tasted like, he only shrugged, happy to keep the answer for later. The river ran on, untroubled, and Reed's heart beat with the simple, good business of being young and skilled at his craft.

But underneath the ordinary days, the river's memory worked. By the time the sun had bowed and the willow shadows lengthened again, Reed had the beginning of a story tucked behind his ribs—one that would, in its own weaving and unwinding, pull him toward the sea and some name that would be spoken with both fondness and warning. It began, as all long tales do, with small ripples: a salt-otter passing like a bright knot in a thread, paw prints heading to the crossing, a low boat and voices under the moon.

He could not know then that the river had decided to open a new channel in his life. He only knew that, for one ordinary day, he had sat between the old certainties and something just beyond the reeds, listening to the water and keeping small, steady faith with his family. The river said its stories and Reed kept his ears open. The world, as it always does, was about to answer back.

CliffhangerFantasyMystery

About the Creator

Toby Heward

Creativity is boundless. We are gardeners that bring forth these fruits of wonder. Nature is my passion and I love to help readers see the stories with their own eyes through my works. Whether its poems, fact, or fiction I bring it to life.

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