vintage
Vintage music and beat content throughout history and the music archives.
Some Music YOU Will Probably Hate
Introduction This is for Sam Spinelli's challenge that you can read about here: Now, the thing is, I don't hate any music. I might find some annoying or banal like elevator music, and the fact that almost all music seems to end up advertising something, but if something comes on the radio and I don't like it, I switch it off or change channels.
By Mike Singleton đź’ś Mikeydred 4 months ago in Beat
Dear DJ Enuff, From New York With Love by NWO Sparrow
When you talk about the voices that shaped New York City radio, DJ Enuff’s name rises to the top without hesitation. From Brooklyn to the airwaves, his career has been a living history of hip-hop, a career that has touched generations of listeners and artists. His presence on Hot 97 was more than just music, it was a ritual, a reminder that the culture was alive and moving forward every single day.
By NWO SPARROW5 months ago in Beat
10 Eighties Emo Albums That Defined the Genre
Eighties music has a reputation for being bright, sparkly and poppy, but in Washington, D.C., a darker genre was starting to evolve. The first "emotional hardcore" bands emerged from the 80s punk scene, setting the stage for mainstream emo to explode in the 2000s while giving listeners an outlet for their heartache, grief and rage.
By Kaitlin Shanks5 months ago in Beat
10 Nineties Emo Albums You Should Hear
I'll admit it: I've been a bad emo kid. Like a lot of millennials, I sincerely thought that emo started in the 2000s, when bands like Taking Back Sunday and Aiden appeared on the scene. However, when I did some research, I learned that emo's roots go all the way back to the mid-eighties.
By Kaitlin Shanks5 months ago in Beat
Brian D'Ambrosio interview
Driven To Keep Creating: A Life of William “Bear” Rinehart By Brian D'Ambrosio Son of a preacher, William Rinehart grew up in Seneca, South Carolina, at the high foothills of the Appalachians. His mother taught piano lessons. His father played the trumpet. Music was a mixture of gospel, rural hillbilly, bluegrass, and rock and roll, all slammed together. At age 13, his job on the weekends was to vacuum the old ugly carpet at the church and he liked it when the congregation left their instruments strewn about. In between spells of cleaning, he would pick up a guitar and study the sheet notes.
By Brian D'Ambrosio 5 months ago in Beat
OF LIMBO Have Leveled Up With New "Unplugged" LP
Long Beach, CA Rockers OF LIMBO have just released their new “Unplugged” album, which shows a deeper, more thoughtful side of the band. They have built a reputation of performing over-the-top, rowdy and fun live shows with their high energy version of heavier rock. This new LP showcases a more intimate and contemplative side, and they show growth and are leveling up - by exhibiting how broad a range they have beyond writing and performing hard rock bangers. The album showcases a quieter acoustic sound with a mix of original songs and 3 covers of classic tracks. They produced and mixed this set of songs at their home studio, and had it mastered at Long Beach Mastering by Brian Frederick.
By RockNRollBuddha5 months ago in Beat
Michael Jackson Didn’t Perform at Live Aid — Here’s the Real Reason Why by NWO Sparrow
The King Who Stayed Home: Why Michael Jackson Skipped Live Aid Back in 1985, the entire world stood still for Live Aid — a global, star-studded concert broadcasted to over 1.9 billion people in more than 150 countries. The biggest names in music came together to raise funds for famine relief in Ethiopia. Queen’s set is still talked about to this day. U2 made their mark. Prince Charles and Princess Diana were in the building. But there was one massive, elephant-in-the-room type absence that had people scratching their heads — where was Michael Jackson?
By NWO SPARROW6 months ago in Beat
Louder Than Legends: Why Ozzy Osbourne and Black Sabbath Were More Influential Than The Beatles
When it comes to musical influence, The Beatles are often worshipped as untouchable gods—the Mount Olympus of rock and pop. Their melodies, mop-tops, and psychedelic studio wizardry are burned into music history. But let’s be real: for countless working musicians, especially those who actually plug in an amp and bleed calluses onto their fretboards, Ozzy Osbourne and Black Sabbath rewired the entire musical universe in ways The Beatles never could.
By Michael Phillips6 months ago in Beat
