vintage
Vintage music and beat content throughout history and the music archives.
The Beach Boys' Smiley Smile
“Smiley Smile” is The Beach Boys album that nobody wanted, particularly not The Beach Boys' fans and critics. In 1967, when it came out, everybody was expecting and eagerly waiting for The Beach Boys and their mastermind Brian Wilson to come up with “Smile,” one of the greatest rock albums never to be. After all, “Good Vibrations” and its flipside “Heroes and Villains” that came out ahead of supposed issue of “Smile” were to be included in some version or other on that album. And that was definitely one of the best rock singles ever. If not the best.
By Ljubinko Zivkovic9 years ago in Beat
A Great Introduction to Sixties Garage Rock n' Roll
One of the best introductions to Sixties Garage Rock n Roll is ‘The Nuggets, Original Artyfacts from the First Psychedelic Era 1965-1968’ compilation. The memory of first laying eyes on this comp still saturates my mind with mist, as if walking once again through the epic and overwhelming jungle of Los Angeles Tower Records.
By The Sound Station __9 years ago in Beat
Gospel Sampled
I am a child of the Golden Age of Hip Hop, which most would argue is the late 80s and early 90s. Many believe this time represents the golden age due to the evolution of lyrical content and delivery. Additionally, the musical styles and the artists that used them became more diverse. Another significant factor was the upgraded use of sampling. My favorite production team during this time was The Bomb Squad comprised of Hank Shocklee, Keith Shocklee, Chuck D. and Eric Sadler. This team powered the sound of Public Enemy, Ice Cube, and many others. They were one of the first to utilize multiple samples in a song. This is the period that I fell in love with Hip Hop.
By Jerome Simmons9 years ago in Beat
Don't Forget the Flamin' Groovies
The Flamin Groovies released their third album, Teenage Head, back in 1971 to much critical praise. However, because the group was known only tentatively in the Midwest and San Fransisco (where they originated about 1968), the record won little popularity and no airplay.
By Will Vasquez9 years ago in Beat
Carlos Santana Interview
Carlos Santana, known for combining rock and Latin American music, hasn't shied away from playing music, selling out concert halls and true to form, seldom misses an opportunity from discussing controversial topics. During an interview with Viva back in April of 1974, he discussed religion and spiritually with his quintessential candidness.
By Beat Staff9 years ago in Beat
David Bowie's 'Heroes,' Brian Eno's Influence
When attempting any serious evaluation of David Bowie's work, it's best to concentrate solely on the success or failure of his music, and not permit his formidable media persona to become involved in the scope of analysis. It's pretty obvious to anyone who followed his career that he most likely regarded his musical and cinematic undertakings as merely means to a much larger creative and evolutionary end.
By Arnold Seleskey9 years ago in Beat
The Rolling Stones' Best Concert Album Trilogy
The Rolling Stones will always be viewed as one of the original founders of the rock and roll sound. They forged the sound of rock on the streets of London and have been at the top of the rock world or near it for a couple of generations now. Their strong point has always been concerts.
By Adam Quinn9 years ago in Beat
Nat Shapiro & Nat Hentoff's 'The Jazz Makers'
Louis Armstrong, Charlie Parker, Billie Holliday, Fats Waller, Roy Eldridge, and Charlie Christian are a few of the jazz masters whose diverse and several talents, blossoming intensely over half a century like the dramatists of Elizabeth, Charles, and James, meet in The Jazz Makers a set of critics whose gift and moment it is to capture in prose, in virtually every essay herein, some of the most precise verbal pictures of the music these writers have heard.
By Rhonda Taylor9 years ago in Beat
Struggles of Being a 20-Something Who Loves Classic Rock
Twenty-somethings who love classic rock face a great number of struggles today. We don’t just feel on the outside of modern music, we literally don’t understand it. It lacks power, force, and the very beats that make rocks roll. In classic rock, songs are intricately structured. Lyrics are deep. The players play guitars and drums, not women and games. Often, our friends may find our music strange. It may be equated to, “That stuff my grandpa listens to” or, worst of all, labeled “Oldies.” Our families may not understand our passion for the music of the 60s and 70s and call us weird. Too often, we are misunderstood, but it’s OK. If Robert Plant and Keith Richards weren’t different, we wouldn’t have the killer licks of the Stones or Led Zeppelin. These are the top 10 struggles of a 20-something who loves classic rock.
By Will Vasquez9 years ago in Beat










