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Artistic, musical, creative, and entertaining topics of art about all things Beat and Music.
Pandit Ravi Shankar. AI-Generated.
Pandit Ravi Shankar, born Robindro Shaunkor Chowdhury on April 7, 1920, was an iconic Indian sitarist and composer. His influence extended far beyond his own performances, leaving an indelible mark on the world of music. Here are some highlights from his remarkable legacy:
By Allwyn Roman Waghela2 years ago in Beat
K. S. Chithra
K. S. Chithra, the celebrated Indian playback singer and Carnatic musician, is a true musical gem with a career spanning over four decades. Her versatility knows no bounds, allowing her to seamlessly transition across languages and genres. Let’s explore her remarkable journey:
By Allwyn Roman Waghela2 years ago in Beat
Sayang: Embracing Love and Release
The Indonesian language is beautiful, and I’ve always yearned to delve into its literature. Just as a superb sentence captivates you, encouraging you to relish it slowly, it should possess a distinct style, with words arranged uniquely by its author, enticing you to replay it in your mind and recall it later.
By Esha Taylor2 years ago in Beat
Uncle Vanya.
For the modern theater lover "Uncle Vanya" at Lincoln Center's Vivian Beaumont Theater may very well be for you. This "Vanya" is not the typical play by Chekhov; in its new rendition by Heidi Schreck, we get more modern language, modern costumes (Kaye Voyce) and modern direction by Lila Neugebauer. Vanya (Steve Carell) has spent most of his life farming the land so that Alexander (Alfred Molina) can carry on with his art studies as a celebrated professor and teacher. Both Molina and Carell as well as Alison Pill as Sonya are standouts in this production, laying waste to all the other actors in the cast. Where the sound resonates in this well appointed theater (Mikhail Fiksel and Beth Lake), the sets by Mimi Lien are unimpressive. Lap Chi Chu gives us the support on lighting and her moods vary well amongst this two hours and fifteen minutes. "Uncle Vanya" is slow at times, very slow due to Neugebauer's direction. Actors don't always blend well causing pockets of weakness in the dialogue. Both William Jackson Harper as Astrov and Anika Noni Rose as Elena cannot hold the stage nor the attention of the audience. Since the show is put in modern language, these two actors appear more like people in the inner city rather than stage professionals; even their body language goes anathema to this great classic. In a slow-go of this play, the show does pick up almost half way through the first act. The dialogue and the melding of characters never fully catches its stride however. We get a mesh-mosh of thoughts, feelings and adversity, but the true feelings are never brought to the forefront emotionally. At the end of the play we get to hear Vanya rant about his feelings, how he gave up his life for the farm which is weakly portrayed at the back of the theater. The audience never feels his pain as Carell holds back and we never feel the strong emotions. More comedic than serious, he is at his best when the show has him bantering about. In Voyce's costumes we get both the elegant and the mundane. Never overwhelmed by the garb, it fades away like much of this play does. For the modern theater lover, however, there are a lot of things in this show that you will like. The sets which never really blend with the show are intricate and give meaning to the modern. The deft sound keeps the play eery at times especially with the reverbs at different times during the performance. The backdrop in the second act is clever even though it is difficult to sift through the conventional writings of Chekhov... it goes against the grain of what we have seen in the past. "Uncle Vayna" is a mixed bag and is not for everyone, it takes the conventional completely out of the picture and puts us in the new world of modern.
By Robert M Massimi. ( Broadway Bob).2 years ago in Beat
Musical Mysteries Unveiled: From Ancient Hymns to Hoof Flutes
In the whimsical realm of ancient melodies, where clay tablets and bone flutes reign supreme, there's a musical mystery that transcends the ages. So, grab your imaginary lyre and let's take a delightful romp through the annals of history as we uncover the oldest tunes ever to grace human ears—and maybe share a chuckle or two along the way!
By NICKSON NJERU2 years ago in Beat
How to Create Catchy Beats That Grab Listener Attention
In the world of music production, creating beats that are not only catchy but also grab the listener's attention is crucial. Whether you're a seasoned producer or just starting out, mastering the art of crafting beats that stand out can make all the difference in your music. In this article, we'll explore some tips and techniques for creating catchy beats that will captivate your audience.
By BLESSING COOL 2 years ago in Beat
Remembrance for a Disc Jockey; DJ Mister Cee Dead at Fifty Seven
Usually part of the background, yet still energetic, the hip hop DJ is a cardinal element of the entire scene. Mister Cee knew this. He represented a class of artists and presenters that transcended the idea of the DJ playing second fiddle to the MC. Throughout his life, he wanted to make an impact on this genre of music that is often cast aside like a used tissue paper or denounced for its explicit nature and legal troubles. He had a few of them of his own.
By Skyler Saunders2 years ago in Beat
Swaggyono is the chief producer of North Philadelphia...
In the bustling streets of North Philadelphia, where the rhythm of life pulses through every corner, there emerges a musical prodigy whose beats resonate with the soul of the city. Swaggyono, the chief producer of North Philly and the creative force behind "DreamChasers" artist Diamond Street Keem, is a name synonymous with innovation, style, and authenticity in the realm of hip-hop production. With a keen ear for rhythm and an innate understanding of the essence of hip-hop, Swaggyono's work transcends boundaries, taking listeners on a sonic journey unlike any other.
By DJ JSO | THE MIC XM2 years ago in Beat
