Scot “Little” Bihlman Reinterprets a Classic with “There’s No Way Out of Here”

Listen to "There's No Way Out of Here"

Scot “Little” Bihlman has revealed his latest single, “There’s No Way Out of Here,” released via V13 Music. The track is the fourth song in the lead-up to his forthcoming album Heavy Head. Originally written and recorded by Ken Baker and later performed by David Gilmour for his 1978 self-titled solo record, Bihlman’s version pays tribute to Gilmour’s interpretation while reframing the song through his own lens of blues grit and southern-rock soul.

The single constructs its atmosphere through organ flourishes, layered worn-in harmonies, and pacing that moves like a long drive home. With “There’s No Way Out of Here,” Bihlman captures the song’s contemplative qualities while adding raw edges that lean into the outlaw side of classic rock. The arrangement avoids excess and embellishment, producing a version that is leaner, darker, and more grounded. “There’s no way out of here, if you are in you are in for good,” he sings, teetering on the borderline of resignation and acceptance.

The track conveys a sense of a decision articulated in musical form. Steady, unhurried, and precise, it moves forward slowly but with deliberate momentum. The combination of organ tones, layered harmonies, and restrained instrumentation builds a sense of tension without overwhelming the listener. There is a careful interplay between the musical layers that allows each instrument to contribute to the overall atmosphere. The result is a composition that holds attention through subtlety rather than spectacle.

Bihlman’s approach emphasizes texture, tone, and pacing over technical excess. Organ chords swell and recede, creating breathing space, while vocals interweave with a natural wear that reinforces the track’s measured pace. Each note and phrase is placed with intention, offering a version that highlights the song’s structure and lyrical weight. In this interpretation, the song is both a tribute and a transformation, honoring its roots while establishing a distinct identity.

“There’s No Way Out of Here” also functions as a window into the world of Heavy Head, Bihlman’s upcoming album set for release in early 2026. Each single released ahead of the album reveals a facet of its sonic landscape. Themes of resistance, introspection, and acceptance run through the record, explored through arrangements that balance classic rock influences with contemporary expression. The album is constructed as a series of musical snapshots, each capturing a different tone or mood, while maintaining cohesion across the overall work.

The track’s production highlights Bihlman’s attention to detail. Small shifts in dynamics, subtle instrumental fills, and carefully considered tempo changes create a sense of movement. It is a song that rewards repeated listening, revealing nuances and layers that emerge gradually. The sound is deliberate and controlled, demonstrating a clear vision for how classic material can be reinterpreted without losing its essence.

Scot “Little” Bihlman is an Emmy Award-winning musician, songwriter, and SAG-AFTRA actor based in Los Angeles. Raised between industrial Indiana and the Northern Michigan woods, he channels rock, blues, and country influences into story-driven songs. Over two decades, he has performed in venues ranging from juke joints and arenas to the White House, sharing stages or studios with John Fogerty, Jelly Roll, BB King, Trey Anastasio, dUg Pinnick, and more.

His music has been featured in more than 30 television placements, including Sons of Anarchy, Burn Notice, and All My Children. Fronting each performance on vocals, guitar, and drums, Bihlman calls his sound “motorcycle poetry for truth-seekers.” His forthcoming album Heavy Head, produced by Miles Fulwider, begins its waterfall release in August 2025, alongside new drops from his vintage-Americana apparel line, Hillbilly Royalty.

With “There’s No Way Out of Here,” Scot “Little” Bihlman demonstrates the precision of his artistry. By blending thoughtful arrangements, careful pacing, and respect for classic rock traditions, he delivers a reinterpretation that is both distinctive and deliberate. The single reinforces Bihlman’s approach of shaping music with focus and intentionality, crafting an experience that resonates through tone and texture alone.