Gregory Lyakhov
Bio
Writer and advocate recognized as one of the youngest to be published in major outlets like the Jerusalem Post, The Times of Israel, and The Algemeiner.
Stories (4)
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#MeToo’s Troubling Silence on Israeli Survivors
The #MeToo movement, once a beacon of hope for survivors of sexual violence, now faces accusations of selective advocacy. Its muted response to the mass atrocities committed during Hamas’ Oct. 7th, 2023 attacks on Israel has brought global criticism. While the movement has supported victims in other instances, its lack of acknowledgment of Israeli victims underscores troubling ideological biases and risks undermining its credibility.
By Gregory Lyakhovabout a year ago in History
Marbury v. Madison: The Case That Shaped American Democracy
Few factors separate the United States from other democracies worldwide. Yet, the nation is frequently described as the global leader—not only in economic power but also in democratic governance. Why is this? With 96 democracies globally, why does the U.S. consistently rise to the top?
By Gregory Lyakhovabout a year ago in History
Syria’s Collapse: A New Threat to Israel
The collapse of Bashar al-Assad’s regime, a turning point in the decades-long Syrian civil war, has set the stage for a drastically different Middle East. While many see Assad’s defeat as a blow to Iranian influence and a big win for Israel, the reality is far more complex and disheartening.
By Gregory Lyakhovabout a year ago in Education
Amnesty International’s Double Standard on Israel
Amnesty International, a global organization exceeding 7 million people, has long been regarded as a leading voice for human rights; however, its track record on Israel raises concerns about a pattern of selective outrage and disproportionate criticism. From allegations of apartheid to calls for international arms embargoes, Amnesty’s focus on Israel stands out as uniquely severe—raising critical questions about the organization’s impartiality and fairness in addressing complex geopolitical conflicts.
By Gregory Lyakhovabout a year ago in Critique
