About this Space

What's Been Happening Lately

Things have been moving. Not just in my life, but in the way I've been creating, consuming, and thinking about stories — both the ones other people tell and the ones I'm slowly learning to tell myself.

Lately, I've been dream journaling. It started as something small, something quiet — just a notebook on the nightstand and a commitment to writing down whatever was left of a dream before it dissolved into the morning. But it's turned into something I didn't expect. Dreams are weird, raw, unfiltered material. They don't follow rules. They don't care about pacing or logic or whether the ending makes sense. And honestly? That's exactly why they're so useful for writing. I've been pulling from them, letting them feed into my fiction, and it's been reshaping the way I approach horror in particular.

Speaking of horror — I've been working on short horror pieces, and two of the scenarios that have been living in my head lately are getting trapped in a mirror and being lost at sea. Both of them tap into something primal. The mirror one plays with the idea of being close to something familiar — your own reflection — and having it become the thing that holds you captive. The sea one is quieter, more about isolation, about the vastness of something that doesn't care whether you exist. They feel like opposites on the surface, but they're really exploring the same thing: what happens when escape is not an option, and you have to sit inside the discomfort of that.

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What I've Been Watching

I've been on a bit of a binge lately, and it's been a mix of new stuff and revisiting old favorites — some of which hit very differently the second (or third) time around.

Zoey's Extraordinary Playlist deserved more of my attention than I gave it initially, and I've been sitting with it more now. It's one of those shows that does something genuinely ambitious — turning grief and emotion into musical numbers — and it doesn't always stick the landing, but when it does, it really does. It's earned a place in my rotation.

Stranger Things Five — okay, I have thoughts. I went into it with high expectations and a lot of history with that show, and I think it did what it needed to do to close things out, even if it didn't do it perfectly. It's one of those finales where you can feel the weight of everything that came before pressing down on every scene. Whether it satisfied you or not probably depends on what you were hoping for. I'm still turning it over in my head.

Wicked was an experience. I went in curious and came out genuinely impressed — not just by the spectacle, but by the way it handled the story's emotional core. It's not a perfect adaptation, but it's a bold one, and I think that boldness is what makes it work.

And then there's the revisits. I went back to the Twilight Saga recently, and I won't pretend I didn't expect to cringe through the whole thing. But here's the thing — watching it now, with older eyes and more context, it hits differently. Not because it's suddenly flawless, but because you can see what it was trying to do, and there's something earnest about it that I actually respect now. Same with Mom — going back to that show reminded me why it stuck with me in the first place. It's rougher and messier than I remembered, but the emotional gut-punches are still there, and they land just as hard.

What I've Been Reading and Playing

The Princess Bride is one of those stories that lives in a specific pocket of your memory — the kind of thing that feels like it was always there, even if you came to it late. I've been revisiting it and thinking about why it works so well as a story. It's layered. The humor, the romance, the adventure — none of it is accidental. It's a love letter to storytelling itself, and every time I come back to it, I notice something new.

On the gaming side, I've been spending time with a few different things, and I want to do proper write-ups on them soon. There's a lot to say — some of it good, some of it "why did I keep playing this." But that's coming.

Moving Out. Again.

I moved back home in 2023. It wasn't where I saw myself ending up, but life has a way of rearranging your plans whether you're ready or not. And now — I'm moving into my second apartment. My own space, again. And this time it feels different. The first time, it was about proving something. This time, it's quieter than that. It's about knowing that I can do it, that I've already done it, and choosing to do it again — not out of desperation, but out of something closer to intention. There's a freedom in that distinction that I didn't fully understand the first time around.

Secret Letter

There's a piece of this space that lives a little quieter than the rest — and that's Secret Letter. It's not a review. It's not a critique. It's a confession, an ongoing story, a thread I keep pulling on because I don't fully know where it ends yet.

Secret Letter is about my connection and disconnection to myself — through witchcraft, through the versions of myself I've been and the ones I'm still becoming. Witchcraft condemned me and saved me at the same time, and Secret Letter is where I try to untangle what that actually means. It's the most intimate thing I write here. It's the thing that doesn't follow a structure or a schedule — it comes when it comes, and it says what it needs to say. If you've been reading it, you already know what it is. And if you haven't yet — it's there when you're ready.

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This space is evolving. The writing, the reviews, the horror, the confessions — it's all connected, even when it doesn't look like it. So pull up that chair a little closer. There's more coming.